Design
Venice’s Finest Waste: Tatiana Trouvé Unbuilds the Palazzo Grassi
Her bronzed trash, plastered voids, and trick mirrors aren't just conceptual games—they're reminders that architecture’s ghosts are always present.
7 MIN READ
Aaron Betsky
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Beyond Buildings
Intelligens vs. Instinct: Can Architecture Still Save Us?
10 MIN READ
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A Critic's Notebook
Designing the Monstrous Sublime: A Field Guide to the Anthropocene’s Hybrid Creatures
6 MIN READ
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A Critic's Notebook
Ghosts, Tricks, and Tuscan Columns: Unlocking Michael Graves’ Secret Laboratory
6 MIN READ
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A Critic's Notebook
Censorship or Caution? The ACSA’s Gaza Journal Controversy Exposes a Field at War With Itself
7 MIN READ
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A Critic's Notebook
Carlo Ratti’s Promise of Innovation: Previewing the Venice Biennale’s Architectural Experiments
6 MIN READ
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A Critic's Notebook
Uniformity in Architecture: Why Buildings Are All the Same
7 MIN READ
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A Critic's Notebook
The Cinematic Dreamer: Revisiting the Forgotten Architect Frank Israel and his Vision in Los Angeles
6 MIN READ![University of California, Riverside Arts Building, 2001, by Israel Callas Shortridge Associates [Franklin D. Israel (American, 1945-96), Barbara Callas (American, b. 1955), Steven Shortridge [American, 1962-2014)], and Fields Devereaux Architects & Engineers (Edwin Fields [American, 1934-2020] and J. Peter Devereaux [American, b. 1956]), with Annie Chu (American, b. 1959), Photo by Tom Bonner.](https://architectmagazine.stg.zonda.onl/wp-content/uploads/sites/5/2025/fig-6-11.jpg?w=164)
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A Critic's Notebook
Ric Scofidio’s Legacy: Redefining Space and Spectacle
6 MIN READ