Sunlighting as Formgiver for Architecture

2 MIN READ

Despite the fact that the topic of daylighting has become so prevalent in architectural and lighting design discussions and there is a wealth of written resources, there is no single title that has been recognized as the definitive reference on the subject matter. But one volume that comes close and has many lighting practitioners and daylighting specialists in agreement as being essential for a daylighting reference library is William M.C. Lam’s Sunlighting as Formgiver for Architecture.

Developed from illustrated lecture handouts created for a series of talks Lam presented to the U.S. Department of Energy, AIA Energy Inform, and Solar Energy Research Institute Passive Solar Commercial Buildings programs in the 1970s, the book’s relevance seems particularly timely today as a current generation of design practitioners tackle sustainable design and energy efficiency discussions.

Organized into two parts—design concepts and 25 case studies from Lam’s own lighting consulting practice—the most interesting component of Lam’s tome is his recasting of the discussion itself, from the subject of daylighting to sunlighting. As the book jacket describes, “Unlike daylighting, a primarily quantitative design approach that offers protection against the sun and is appropriate for climates with predominantly overcast skies (such as those of northern Europe), sunlighting is the positive control and utilization of the direct sunlight that is available in most parts of the worlds, including much of North America.” In reframing the topic, Lam tackles some of the nuances of technique lost in the broad reach of many a daylighting discussion. As Lam describes in a recent telephone interview with Architectural Lighting magazine, “We need to return to a greater understanding of our buildings. People are still not paying attention to site, orientation, or form. Rather, they are using technical means to solve building problems.” Lam always has been an advocate for developing lighting programs that reflect the specific needs and uses of a building, not simply relying on “numerical criteria.” This was the focus of his first book published in 1977, Perception and Lighting as Formgivers for Architecture. While some of the architectural project case studies in the Sunlighting book might seem a bit aesthetically dated according to today’s tastes, as sound examples of a core set of design principles for integrating sunlight into architectural spaces they remain as solid as ever. It is a title that should be considered essential reading for daylighting discussions and essential to the subject of lighting as a whole.

AUTHOR | William M.C. Lam

PUBLICATION DATE | 1986

PUBLISHER | Van Nostrand Reinhold Company, New York

PAGES | 464

AVAILABILITY | Out of print. However, the text is available for download on the author’s website at www.wmclam.com/publications.php

About the Author

Elizabeth Donoff

Elizabeth Donoff is Editor-at-Large of Architectural Lighting (AL). She served as Editor-in-Chief from 2006 to 2017. She joined the editorial team in 2003 and is a leading voice in the lighting community speaking at industry events such as Lightfair and the International Association of Lighting Designers Annual Enlighten Conference, and has twice served as a judge for the Illuminating Engineering Society New York City Section’s (IESNYC) Lumen Award program. In 2009, she received the Brilliance Award from the IESNYC for dedicated service and contribution to the New York City lighting community. Over the past 11 years, under her editorial direction, Architectural Lighting has received a number of prestigious B2B journalism awards. In 2017, Architectural Lighting was a Top Ten Finalist for Magazine of the Year from the American Society of Business Publication Editors' AZBEE Awards. In 2016, Donoff received the Jesse H. Neal Award for her Editor’s Comments in the category of Best Commentary/Blog, and in 2015, AL received a Jesse H. Neal Award for Best Media Brand (Overall Editorial Excellence).Prior to her entry into design journalism, Donoff worked in New York City architectural offices including FXFowle where she was part of the project teams for the Reuters Building at Three Times Square and the New York Times Headquarters. She is a graduate of Bates College in Lewiston, Me., and she earned her Master of Architecture degree from the School of Architecture at Washington University in St. Louis.

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