One-on-One with Michael Siminovitch

An interdisciplinary approach to lighting education.

2 MIN READ

ANNE HAMERSKY

Michael Siminovitch describes his education and career as an “evolutionary process.” With degrees in industrial design, architecture, and human factors engineering, most of his focus for the better part of the past two decades has been on lighting and energy efficiency. As director of the California Lighting Technology Center (CLTC) and a professor of design at the University of California at Davis, Siminovitch is forging new industry partnerships between manufacturers, utilities, researchers, and even other lighting programs in Thailand and China. For students, it is a rich introduction to real-world lighting issues, one that encourages a creative approach to problem solving.

What is your teaching philosophy?
To expose students to multiple perspectives in which they’re constantly challenging themselves with new ideas and new technologies.

What is the CLTC’s approach to lighting education?
Students are “hands-on” with ongoing laboratory to marketplace efforts. They see real technology and design working together.

How are universities evolving?
Universities have tremendous stresses today financially. They’re trying to maintain relevance and vitality. They look at the CLTC as a research experiment. We operate off of many smaller industrial agreements; it’s a different paradigm than the individual with a single research grant.

How do you present new lighting technologies to students?
I try to pull in these new innovations (i.e., LEDs) and get them into the classroom as soon as possible. Once students understand the basics of lighting, and can ask the right questions, they can deal with change.

Is there enough communication between educators?
My rule of thumb is there’s never enough communication. We should always be challenging our thinking in terms of how we teach. Tomorrow’s lecture should not be the same as the one that we gave today.

What are your thoughts on the idea of a common curriculum?
I’m very supportive of sharing information, but I’m not supportive of common learning packages. This kind of uniformity is counterproductive to allowing a diversity of teaching— and learning.

What advice would you give students and recent graduates?
Try to get as many varied experiences as possible so you’ll really understand the whole process—concept, design, and manufacturing.

About the Author

Elizabeth Donoff

Elizabeth Donoff is Editor-at-Large of Architectural Lighting (AL). She served as Editor-in-Chief from 2006 to 2017. She joined the editorial team in 2003 and is a leading voice in the lighting community speaking at industry events such as Lightfair and the International Association of Lighting Designers Annual Enlighten Conference, and has twice served as a judge for the Illuminating Engineering Society New York City Section’s (IESNYC) Lumen Award program. In 2009, she received the Brilliance Award from the IESNYC for dedicated service and contribution to the New York City lighting community. Over the past 11 years, under her editorial direction, Architectural Lighting has received a number of prestigious B2B journalism awards. In 2017, Architectural Lighting was a Top Ten Finalist for Magazine of the Year from the American Society of Business Publication Editors' AZBEE Awards. In 2016, Donoff received the Jesse H. Neal Award for her Editor’s Comments in the category of Best Commentary/Blog, and in 2015, AL received a Jesse H. Neal Award for Best Media Brand (Overall Editorial Excellence).Prior to her entry into design journalism, Donoff worked in New York City architectural offices including FXFowle where she was part of the project teams for the Reuters Building at Three Times Square and the New York Times Headquarters. She is a graduate of Bates College in Lewiston, Me., and she earned her Master of Architecture degree from the School of Architecture at Washington University in St. Louis.

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