Michael Kors Shanghai Flagship Store Façade

A luminous façade showcases the identity of the Michael Kors brand.

2 MIN READ
Narrow optic wall grazers are located at the top and
bottom of each panel and are coordinated with the reflector angles to create a
sense of depth using a pattern of light and shadows across the façade.

HG Esch Photography

Narrow optic wall grazers are located at the top and bottom of each panel and are coordinated with the reflector angles to create a sense of depth using a pattern of light and shadows across the façade.


In an upscale Shanghai retail and hotel development called Jing An Kerry Centre sits Michael Kors’ new flagship store. To distinguish the street-front boutique from its neighbors in this shopping district, the design team—architect Kohn Pedersen Fox and lighting designer Tillotson Design Associates (TDA)—developed a unique façade that showcases the identity of the Michael Kors brand, while giving it a timeless and universal appeal. “Light was always the main focus for this façade concept,” says Thomas Bergeron, senior associate at TDA. The dynamic composition, which makes the façade look like a luminous fabric, is created by the use of hundreds of thousands of individual, hand-cut, angled, aluminum reflectors.


The design team narrowed 35 concepts down to one, and the designers worked principally in model, at multiple scales, so that they could study the play of light and reflection in the various configurations of the panels. The main challenge was how to create a sense of brightness and sparkle that would read both up close and from a distance without the disturbance of a lot of glare. The façade needs to work both during the day in natural lighting conditions and at night when the panels are illuminated by two different grazing fixtures located at the top and bottom of the entire assembly. The first fixture types are 10-degree 4000K LED grazers that illuminate the top front, the bottom front, and the bottom back of the panels with white light. The second are RGB LED luminaires with a medium beam distribution that create color-changing effects, and which sit behind the bottom grazing fixture. Like a cascade of paillettes on a garment, lighting transforms the façade from an ordinary curtainwall into a luminescent feature.


DETAILS

Project: Michael Kors Shanghai Flagship Store Façade, Jing An Kerry Centre, Shanghai • Client: Michael Kors Store Design Team, New York • Architect: Kohn Pedersen Fox, New York • Lighting Designer: Tillotson Design Associates, New York • Façade Dimensions: 5,000 square feet • Project and Lighting Costs: Withheld (per client’s request) • Code Compliance and Watts per Square Foot: Not applicable

Manufacturers

EcoSense Lighting: 10-degree-beam 4000K grazer for white lighting effect at façade top front, bottom front, and bottom back • Philips Color Kinetics: eW Fuse Powercore, RGB LED, with 30-degree by 60-degree optic for rear silhouette dynamic color-changing effects • Alanod: Textured mirror-finish aluminum reflectors


About the Author

Elizabeth Donoff

Elizabeth Donoff is Editor-at-Large of Architectural Lighting (AL). She served as Editor-in-Chief from 2006 to 2017. She joined the editorial team in 2003 and is a leading voice in the lighting community speaking at industry events such as Lightfair and the International Association of Lighting Designers Annual Enlighten Conference, and has twice served as a judge for the Illuminating Engineering Society New York City Section’s (IESNYC) Lumen Award program. In 2009, she received the Brilliance Award from the IESNYC for dedicated service and contribution to the New York City lighting community. Over the past 11 years, under her editorial direction, Architectural Lighting has received a number of prestigious B2B journalism awards. In 2017, Architectural Lighting was a Top Ten Finalist for Magazine of the Year from the American Society of Business Publication Editors' AZBEE Awards. In 2016, Donoff received the Jesse H. Neal Award for her Editor’s Comments in the category of Best Commentary/Blog, and in 2015, AL received a Jesse H. Neal Award for Best Media Brand (Overall Editorial Excellence).Prior to her entry into design journalism, Donoff worked in New York City architectural offices including FXFowle where she was part of the project teams for the Reuters Building at Three Times Square and the New York Times Headquarters. She is a graduate of Bates College in Lewiston, Me., and she earned her Master of Architecture degree from the School of Architecture at Washington University in St. Louis.

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