Light+Building

15 MIN READ
Martin Lupton

Martin Lupton

Eva Persson, lighting designer, Ljusarkitektur, Stockholm Bio: Persson joined Ljusarkitektur in 2000 and has worked on a variety of projects including Nordic Walk, a light and sound installation at Stockholm’s Arlanda Airport, and the House of Sweden, the new Swedish Embassy in Washington, D.C., completed in 2006. Persson studied interior design at the School of Design and Crafts in Gothenburg, Sweden, and received her lighting degree from Gothenburg University.

Impressions of Light+Building: This year it was all about LEDs—from the most technical lighting manufactures to decorative lighting companies such as Catellani & Smith. The development of LED light sources is starting to feel very promising, particularly with the introduction of remote phosphor solutions, which seem to offer better color rendering—as high as a CRI of 95. The question, though, is: Will the light quality and color temperature remain stable over time?

However, LEDs are not the solution for everything. At the moment it appears that manufacturers are adapting existing luminaires to the LED source rather than thinking about how to adapt the housing and fixture body to the form of the LED. I hope this will not be a long-term trend. For example, most LED downlights are very glary. Manufacturers should give more consideration to better glare shields. LEDs are a promising light source, but we should use them to the best of their potential, maximizing a diode’s inherent capabilities and characteristics.

Overall, my impression of this year’s fair was not about a specific new product, per se, but rather more a feeling that we are at the beginning of a larger change in the types of light sources we use and the applications for them. In a few instances, manufacturers such as Zumtobel and Colt showed lighting solutions integrated into buildings using daylight as the light source and capitalizing on solar for producing the building’s energy. With the Icelandic volcano and the suspension of air travel for a week, we all received a clear reminder that we have to better adapt to nature. And we should carry these ideas further in developing lighting design and the lighting industry as well.

About the Author

Elizabeth Donoff

Elizabeth Donoff is Editor-at-Large of Architectural Lighting (AL). She served as Editor-in-Chief from 2006 to 2017. She joined the editorial team in 2003 and is a leading voice in the lighting community speaking at industry events such as Lightfair and the International Association of Lighting Designers Annual Enlighten Conference, and has twice served as a judge for the Illuminating Engineering Society New York City Section’s (IESNYC) Lumen Award program. In 2009, she received the Brilliance Award from the IESNYC for dedicated service and contribution to the New York City lighting community. Over the past 11 years, under her editorial direction, Architectural Lighting has received a number of prestigious B2B journalism awards. In 2017, Architectural Lighting was a Top Ten Finalist for Magazine of the Year from the American Society of Business Publication Editors' AZBEE Awards. In 2016, Donoff received the Jesse H. Neal Award for her Editor’s Comments in the category of Best Commentary/Blog, and in 2015, AL received a Jesse H. Neal Award for Best Media Brand (Overall Editorial Excellence).Prior to her entry into design journalism, Donoff worked in New York City architectural offices including FXFowle where she was part of the project teams for the Reuters Building at Three Times Square and the New York Times Headquarters. She is a graduate of Bates College in Lewiston, Me., and she earned her Master of Architecture degree from the School of Architecture at Washington University in St. Louis.

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