CUSTOM HOME 2012 CHDA 2012 Kyle House, Brewster, Mass. Custom…
CUSTOM HOME 2012 CHDA 2012 Kyle House, Brewster, Mass. Custom Home / Less Than 3,000 Square Feet
Warren Jagger
The entry gives a glimpse of the boardwalk, which leads all the …
The entry gives a glimpse of the boardwalk, which leads all the way to the painting studio at the back of the property.
Warren Jagger
Architect James Estes carved out spaces for greenery in between …
Architect James Estes carved out spaces for greenery in between the project's four small buildings.
Warren Jagger
At the heart of the compound, the boardwalk becomes more of a po…
At the heart of the compound, the boardwalk becomes more of a porch adjoining the main house.
Warren Jagger
A screened porch at the rear of the main house provides a semi-o…
A screened porch at the rear of the main house provides a semi-outdoor option.
Warren Jagger
The 1,344-square-foot house is topped with a standing seam metal…
The 1,344-square-foot house is topped with a standing seam metal roof and clad in simple, white cedar shingles.
Warren Jagger
The light colors and straightforward detailing of the interiors …
The light colors and straightforward detailing of the interiors emphasize the home's identity as a relaxed, low-maintenance beach house.
Estes/Twombly Architects
The home's site plan.
Estes/Twombly Architects
The home's floor plan.
Warren Jagger
Custom, stainless steel railings grace both the exterior and the…
Custom, stainless steel railings grace both the exterior and the interior of the Cooperstein House in Truro, Mass.
Warren Jagger
The home's north side hunkers down under its standing-seam metal…
The home's north side hunkers down under its standing-seam metal roof as a defense against harsh winds.
Warren Jagger
At night, the north side of the house emits a soft glow through …
At night, the north side of the house emits a soft glow through thermal Kalwall panels.
Warren Jagger
A double-height entry hall provides a sunny introduction to the …
A double-height entry hall provides a sunny introduction to the house.
Warren Jagger
The two-story stairwell funnels light into the home's center.
Warren Jagger
Estes/Twombly designed some of the home's furniture, including t…
Estes/Twombly designed some of the home's furniture, including the built-in bench at the top of the stairs.
Warren Jagger
Kalwall panels enclose the sitting area at the top of the stairs…
Kalwall panels enclose the sitting area at the top of the stairs.
Warren Jagger
Plywood panels add a touch of warmth to the kitchen ceiling.
Estes/Twombly Architects
The project's first floor plan.
Estes/Twombly Architects
The project's second floor plan.
Estes/Twombly Architects
The project's site plan.
Warren Jagger Photography
Two shed-roof additions are both distinct from and in harmony wi…
Two shed-roof additions are both distinct from and in harmony with the original house.
Warren Jagger Photography
Freed of the clutter of 20th century additions, the original hou…
Freed of the clutter of 20th century additions, the original house reveals a handsome simplicity.
Warren Jagger Photography
The new back hall addition channels daylight and backyard views …
The new back hall addition channels daylight and backyard views to the adjacent kitchen and dining area.
Warren Jagger Photography
The front hall.
Warren Jagger Photography
Exposed wood beams do the structural work of former bearing part…
Exposed wood beams do the structural work of former bearing partitions.
Warren Jagger Photography
The living room addition extends into a screened porch.
Warren Jagger Photography
Painted beaded board closets and cabinetry read as furnishings a…
Painted beaded board closets and cabinetry read as furnishings against a backdrop of white plaster walls.
Warren Jagger Photography
Stone landscape walls ground the house on its site.
Courtesy Estes/Twombly Architects
The site plan.
Warren Jagger Photography
The entry courtyard is sheltered by stone walls, landscaping, an…
The entry courtyard is sheltered by stone walls, landscaping, and the building itself.
Warren Jagger Photography
The house occupies a ridge with a clearing and view to the south…
The house occupies a ridge with a clearing and view to the south.
Warren Jagger Photography
A wall of finely fitted granite masonry lends the north-facing e…
A wall of finely fitted granite masonry lends the north-facing entry elevation a sense of sheltering solidity.
Warren Jagger Photography
Located at the east end of the house, where the grade falls away…
Located at the east end of the house, where the grade falls away, the master bedroom gains privacy by being one story off the ground.
Warren Jagger Photography
The kitchen cabinets, like all the millwork in the house, are m…
The kitchen cabinets, like all the millwork in the house, are mahogany. The floor and counters are limestone.
Warren Jagger Photography
Focused decidedly toward the south, the great room's north-facin…
Focused decidedly toward the south, the great room's north-facing windows are high and small. The exception is a large bay window that views the entry court.
Warren Jagger Photography
A granite fireplace and chimney anchors the west wall of the kit…
A granite fireplace and chimney anchors the west wall of the kitchen great room.
Warren Jagger Photography
The building opens to the south for sun and outdoor living.
Warren Jagger Photography
The pool house provides garden storage at the courtyard level an…
The pool house provides garden storage at the courtyard level and changing rooms and a kitchen below.
Warren Jagger Photography
A minimalist stair of precisely laid stone descends the south-fa…
A minimalist stair of precisely laid stone descends the south-facing slope from the house.
Warren Jagger Photography
The master bath.
Warren Jagger Photography
The breakfast area occupies a south- and west-facing bay off the…
The breakfast area occupies a south- and west-facing bay off the kitchen.
Warren Jagger Photography
A low-pitched copper roof shelters the main entry.
Courtesy Estes/Twombly Architects
The project's site plan.
Courtesy Estes/Twombly Architects
The project's main floor plan.
Warren Jagger Photography
Warren Jagger Photography
Inside, steel I-beams stand in for exposed timbers.
Warren Jagger Photography
A respectful reinterpretation of New England farmhouse vernacula…
A respectful reinterpretation of New England farmhouse vernacular, this vacation compound uses a woodshedlike covered walkway to link the main house and a garage/guest apartment.
CUSTOM HOME 2008 CHDA Block Island, R.I., Residence Merit Awa…
CUSTOM HOME 2008 CHDA Block Island, R.I., Residence Merit Award: Custom Home Less Than 3,000 Square Feet
Sliding barn doors give the detached garage a distinct flavor of…
Sliding barn doors give the detached garage a distinct flavor of the farm.
Concrete floors at the ground level reflect the owners' interest…
Concrete floors at the ground level reflect the owners' interest in a low-maintenance building.
Simple materials and details further the aim of a carefree summe…
Simple materials and details further the aim of a carefree summer place.
An upside-down layout locates daytime spaces at the second floor…
An upside-down layout locates daytime spaces at the second floor, with views over the surrounding vegetation.
Warren Jagger
The home's simple forms and skillful massing create a pleasing c…
The home's simple forms and skillful massing create a pleasing composition.
Warren Jagger
Spare interiors let lush views dominate the space.
Estes/Twombly Architects
Warren Jagger Photography
Warren Jagger Photography
Warren Jagger Photography
Warren Jagger Photography
Perching above flood-prone shores, this 1,440-square-foot cottag…
Perching above flood-prone shores, this 1,440-square-foot cottage makes efficient use of its narrow site, provides privacy by grouping service spaces along its street side, and positions living areas to take advantage of spectacular views.
Warren Jagger Photography
Estes/Twombly Architects
Warren Jagger
Main living spaces, such as the living room and kitchen, face so…
Main living spaces, such as the living room and kitchen, face south for maximum solar exposure.
Warren Jagger
Warren Jagger
Warren Jagger
Estes/Twombly Architects
jdaproza
residential architect July-August 2009 rhode island scholars
jdaproza
This Rhode Island house for developer Nick Downes of Aquidneck F…
This Rhode Island house for developer Nick Downes of Aquidneck Fine Properties adroitly captures sea breezes and views, thanks to the permeability of Estes/Twombly Architects' design.
jdaproza
This Rhode Island house for developer Nick Downes of Aquidneck F…
This Rhode Island house for developer Nick Downes of Aquidneck Fine Properties adroitly captures sea breezes and views, thanks to the permeability of Estes/Twombly Architects' design.
jdaproza
This Rhode Island house for developer Nick Downes of Aquidneck F…
This Rhode Island house for developer Nick Downes of Aquidneck Fine Properties adroitly captures sea breezes and views, thanks to the permeability of Estes/Twombly Architects' design.
Warren Jagger Photography
residential architect 2004 RADA mckeough house, block island, …
residential architect 2004 RADA mckeough house, block island, r.i. custom / 3,500 square feet or less / merit
Warren Jagger Photography
The low-slung massing that ties the house together encapsulates …
The low-slung massing that ties the house together encapsulates the interior public spaces.
Warren Jagger Photography
The low-slung massing that ties the house together starts at the…
The low-slung massing that ties the house together starts at the front entry.
Michael Mathers
residential architect 2003 RADA estes house, jamestown, r.i. …
residential architect 2003 RADA estes house, jamestown, r.i. custom / 2,000 to 3,500 square feet / grand
Michael Mathers
With the semi-solid front facade extending to become a pergola, …
With the semi-solid front facade extending to become a pergola, the private side of the house bleeds into the landscape, and the glassy entryway stands out as a gate.
Michael Mathers
The rear of the house is nearly transparent. In place of gutters…
The rear of the house is nearly transparent. In place of gutters, crushed stone trenches channel water to adjacent wetlands. A study and a daughter’s bedroom occupy the second and third floors of the tower, respectively.
Warren Jagger
First floor plan
Second and third floor plans
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of 6
Warren Jagger
Completed in 2001, Field House consists of three separate struct…
Completed in 2001, Field House consists of three separate structures: a house, a studio, and a barn.
Warren Jagger
Stone walls help integrate Field House with its site, which enco…
Stone walls help integrate Field House with its site, which encompasses hayfields, wetlands, and woods.
Warren Jagger
Field House was sited and designed to maximize solar exposure.
Warren Jagger
Located on the shore of Rhode Island’s Narragansett Bay, the P…
Located on the shore of Rhode Island’s Narragansett Bay, the Pojac Point Renovation began with a shed-roof cottage built in the 1950s.
Warren Jagger
Pojac Point
Warren Jagger
Pojac Point
Boil it down, keep it honest, make it fit. Estes/Twombly Architects’ ethic of practice is as simple and direct as the architecture it generates. Grounded in the landscape, materials, and history of New England, the firm’s work distills this region’s iconic building types—farm shed, summer cottage, Shaker meetinghouse—to make contemporary statements in a distinctly local dialect. Overall House strips a 19th-century structure to its essentials, reviving the original building so that it holds its own with a set of sympathetic—and forthrightly modern—additions. Cooperstein House uses the shingled walls and divided-light windows of its Cape Cod neighbors to domesticate a building shell that also includes large, shojilike Kalwall panels. “Contemporary is not really a style,” explains principal Jim Estes, FAIA. “What we want to do is houses that respond to place.”
Estes founded the firm in 1989. Peter Twombly, AIA, joined him five years later and became a partner in 1999. Native New Englanders, the two share a certain Yankee thrift that is reflected in both their projects and their practice. “We’ve always specialized in houses,” says Estes, “smaller, more reasonable houses, not as style-driven as most.” The approach is evident in the firm’s recent Kyle House, which assembles a set of fishing shacklike structures on a platform that recalls a waterfront dock. Like all Estes/Twombly houses, this one fills with a bright, even daylight that makes one feel that the building itself is breathing. Along with the firm’s elegant economy in detailing, that light—a contemporary element in itself—lends a sense of spaciousness without adding square footage.
In a market often characterized by excess, Estes/Twombly has always held out for the power of reduction, earning in the process an armload of design awards for houses that are deceptively modest in size. “That’s been part of our strategy,” Twombly says, “getting published and trying to win awards.” Along with the firm’s website and a book on its work published in 2009, “that’s been fabulous advertising.” The resulting exposure has helped the firm develop a constituency of like-minded clients, which, in turn, allowed it to weather the worst of the housing downturn in fairly good shape. “We’re now a firm of five,” Twombly says—down only two from the firm’s peak in 2008. The size of the office, like the scale of its projects, reflects a preference for efficiency and impact over sheer volume. “It’s actually pretty amazing what a small firm can produce in a given year,” Twombly says. “There could be 20 [projects] at any given time. That’s one of the nice things about residential; you don’t get bogged down the way you would on larger, committee-driven projects.” The recession confirmed the wisdom of staying small, he adds. “Our theory now is to run lean. A couple of phone calls either way, and things can change dramatically.”
But Estes/Twombly’s market is steadily recovering. After a drop-off in business in 2009, Twombly says, “things started moving again, and it’s been slowly building back up again.” And today’s clients seem more open than ever to the firm’s philosophy. “There really is the beginning of an acceptance of contemporary architecture, which is fun to see,” Estes says. “The magazines are way out ahead on this.” The real estate bust dealt a blow to the bigger-is-better ethos. And while much of the firm’s work consists of summer houses in which minimizing solar gain and maximizing views trump heat-loss calculations, the partners are finding that clients are more willing to pay for energy efficiency. Twombly says a house currently under construction on Block Island, R.I., is on track to earn the firm’s first LEED certification. “In a way, what we’re seeing has backed up the approach we had 10 years ago,” he says. “Doing smaller, more efficient houses—it seems like that’s caught on.”
Firm Specs:
Years in practice: 23 | Firm size: 5 | Active projects: 18 | Projects completed in 2011: 10 | Areas of interest: Custom new homes, renovations, small commercial and institutional projects, arts-related pro-bono design.
Our Custom Home of the Year gave architect James Estes an opportunity to engage in placemaking on an unusually extensive scale. Sitting astride a prominent ridge, the house deploys long, low wings, granite landscape walls, and stone-edged terraces to domesticate broad swaths of outdoor space. The result reflects the program for this year-round home, Estes says.
From vacation retreats in wide-open parcels to tight urban lots bordered by busy streets, functional outdoor spaces extend the boundaries of home and enhance the lives of those who inhabit them.
New England’s archetypal agrarian forms, subtly refracted through a modernist lens, give this house-and-barn compound a timeless sense of belonging in its rural setting.
Block Island, R.I., Residence
Block Island’s location, 8 miles off the Rhode Island coast, and its miles of beaches make it an attractive location for summer homes.
What the judges admired most about this small two-bedroom house is how much architect James Estes was able to accomplish in just 1,440 square feet: privacy, views, and efficiency.
Jamestown, R.I., Residence
Architect Peter Twombly had to contend with a not-so-ideal site when designing this full-time home on the Narragansett Bay.