Olson Kundig Architect’s [Storefront] Engages Architects, Community

A Seattle storefront has hosted everything from a mushroom farm to an exhibit on homelessness, thanks to a nearby architecture firm.

4 MIN READ

Named [storefront], Maskin and Murray’s experiment has since hosted 12 artist residencies, design studios, exhibitions, and benefits, with three more to go before the lease runs out at the end of the year. “The speed and necessary economy of the things we have done in the space have also allowed us to experiment and take risks,” Murray says. “These are really sketch exercises.”

Their installations have ranged from hosting architecture studios for local students to the “Record Store,” in which Olson Kundig worked with the Seattle Art Museum to design a space where exhibitgoers could listen to vinyl records, or go to listening parties hosted by locals such as doctors, artists, spiritual leaders, and urban planners. “The public walks into the space and they don’t know what the rules are,” Maskin says. “They know how to buy something but not how to listen to records for two hours or how to look at mushrooms.” And with that, the firm provided a much-needed jolt of funkiness to a depressed neighborhood, like falling down the rabbit hole and finding a new world.

The [storefront] experiment also benefits practice and morale. For the 12-foot-by-16-foot greenhouse, Olson Kundig worked with local construction company Schuchart/Dow to design the reclaimed-wood-framed greenhouse in BIM, then wrapped it in a layer of heat-sensitive plastic sheeting that became taut after application of a torch. “What you learn from a collaborative design process translates to professional practice,” Murray says. Company morale comes in when firm employees become excited about out-of-the-box assignments, Murray adds: “The way you work academically in the studio, the loosenesss, the creativity—it’s what we all fell in love with.”

The most recent project, “Skid Road,” brings the project home, in a way, as it addresses the nearby homeless population—“Skid Road” was inspired by a man who was frequently found sleeping in [storefront]’s doorway. Inside, the firm profiled nine organizations that help the homeless and exhibited the work of two artists; one paints portraits of homeless persons and then sells her work for donations for the homeless community.

Up next is a poetry laboratory, an installation on food and social culture, and a partnership with a film school. Not to mention [storefront] 2.0, as Maskin and Murray are already talking about extending the pro bono space—or even reinventing it, so that the next person who steps out of the rain can also find something of wonder.

About the Author

Lindsey M. Roberts

Lindsey M. Roberts is a freelance writer outside of Seattle, specializing in interiors and design, and a former assistant managing editor at ARCHITECT. Her work has appeared in National Geographic, Gray, Preservation, and The Washington Post, for which she writes a monthly column about products for the home.

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