Jon Pack and Gary Hustwit’s New Book of Photography Showcases the Afterlife of Olympic Architecture

When the Olympics draw to a close, the shiny new venues suddenly go quiet. A new book chronicles the second lives of these buildings.

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Athens 2004

An outdoor concrete track built in 1991, this 5,200-seat facility reopened for the 2004 Games, after an extensive renovation by Santiago Calatrava, FAIA. The venue for track cycling events, it features a 250-meter banked track covered in Afzelia wood and a retractable roof supported by steel cables affixed to two swooping arches—structures that recall Calatrava’s Zubizuri footbridge in Bilbao, Spain. Many facilities in the Athens Olympics Sports Complex have fallen into disrepair, but the Velodrome remains in frequent use on the European track cycling circuit.

Jon Pack

Athens 2004 An outdoor concrete track built in 1991, this 5,200-seat facility reopened for the 2004 Games, after an extensive renovation by Santiago Calatrava, FAIA. The venue for track cycling events, it features a 250-meter banked track covered in Afzelia wood and a retractable roof supported by steel cables affixed to two swooping arches—structures that recall Calatrava’s Zubizuri footbridge in Bilbao, Spain. Many facilities in the Athens Olympics Sports Complex have fallen into disrepair, but the Velodrome remains in frequent use on the European track cycling circuit.

When Brooklyn-based photographer Jon Pack heard that Beijing had spent $42 billion on infrastructure to host the 2008 Summer Olympics, he had one question: What happens to those buildings, and to the city, after the Games? To find out, he set off to photograph the structures left behind in the former Olympic host cities closest to him, Montreal, Quebec, and Lake Placid, N.Y.

Soon, his friend Gary Hustwit, the documentary filmmaker behind Helvetica and Urbanized, became interested, and the two raised $66,000 on Kickstarter to document the afterlives of 14 host cities. Their photographs from those excursions are now collected in The Olympic City, a 200-page coffee-table book designed by Paul Sahre, with an introduction by The New York Times architecture critic Michael Kimmelman. Among the pictures are an Olympic Village that became a prison (1980 Lake Placid Games), ski jumps that became the backdrop for executions (1984 Sarajevo Games), and a blighted waterfront that became a bustling marina (1992 Barcelona Games). On display throughout are the effects of war, weather, decay, regime change, neglect, and urban renewal.

Here we present a selection of photographs from The Olympic City—an ongoing project that will continue, we hope, with a look at Rio after 2016.



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