Past Progressives: Spanning Disciplines

Designed to cross a planned reservoir, the Ruck-a-Chucky bridge would have been a marriage of architecture and engineering.

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Model of proposed design.

Courtesy SOM

Model of proposed design.


The 1979 P/A Awards jury challenged precedent by bestowing a rare First Award on a project in which engineers took the lead. Credit for the design of the Ruck-a-Chucky bridge was shared by T.Y. Lin International, Hanson Engineers, and Skidmore, Owings & Merrill (SOM). Leading the project, along with the founders of the Lin and Hanson firms, was SOM’s Myron Goldsmith, renowned as both an architect and an engineer. Juror Barry Elbasani praised the project as a reminder “that architecture is everywhere about us and not necessarily in a building.”

The bridge was designed to span the Ameri­can River in California, about 10 miles upstream from a planned dam. The challenge was to connect roads running parallel to the steep valley walls without requiring the extensive and costly re-grading required for a straight bridge, and a curved span with customary vertical supports was ruled out by the 450-foot depth of the anticipated reservoir. Hence the “hanging arc” concept for the bridge, with a curved concrete deck supported by 80 post-tensioned cables anchored in the slopes of the gorge.

Although preliminary work at the dam site was underway when the bridge was designed, its construction was subsequently halted. The same thing happened to a very different bridge that remained unbuilt—another 1979 P/A winner, Michael Graves’s Fargo-Moorhead Cultural Center Bridge, which was to span the Red River between North Dakota and Minnesota.


1979 P/A Awards Jury
Fred Dubin
Barry Elbasani
Jules Gregory
Weiming Lu, Hon. AIA
Anthony Lumsden
Constance Perin
Werner Seligmann
Bernard Spring, FAIA




About the Author

John Morris Dixon

An architecture graduate of MIT, John Morris Dixon, FAIA, left the drafting board in 1960 for architectural journalism, eventually becoming editor-in-chief of Progressive Architecture (P/A) from 1972 to 1996. He has chaired the AIA’s national Committee on Design, on which he remains active, and is involved in preservation of modern architecture as a board member of Docomomo New York/Tri-State. He continues to write and edit for a variety of publications, in print and online.

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