Artist Erwin Redl’s “Whiteout” on View in New York City

The public light art installation will be on view from Nov. 16 through March 25, 2018.

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Erwin Redl, Proposal for Whiteout, 2017. Steel and animated white LEDs, dimensions variable.

Collection of the artist. ©Erwin Redl

Erwin Redl, Proposal for Whiteout, 2017. Steel and animated white LEDs, dimensions variable.

This story was originally published in Architectural Lighting.

Artist Erwin Redl’s installation “Whiteout” will be on view from Nov. 16 through March 25, 2018, on the central Oval Lawn in Madison Square Park in New York City. The artwork is the 35th outdoor exhibition sponsored by the Madison Square Park Conservancy, which has been showcasing the work of living artists in the park since 2004.

Erwin Redl, Proposal for Whiteout, 2017. Steel and animated white LEDs, dimensions variable.

Collection of the artist. ©Erwin Redl

Erwin Redl, Proposal for Whiteout, 2017. Steel and animated white LEDs, dimensions variable.

The piece, which measures 110 feet wide by 180 feet long by 12 feet tall, incorporates 900 transparent white spheres suspended via cabling from a grid of steel poles. A white LED is embedded in each orb, and each orb floats 2 feet above the ground plane of the lawn. The artist’s computer-generated wave pattern sequences across the spheres from north to south and south to north creating “a luminous white carpet of LED lights” and a source of public illumination during the short, dark days of the winter.

Erwin Redl, Proposal for Whiteout, 2017. Steel and animated white LEDs, dimensions variable.

Collection of the artist. ©Erwin Redl

Erwin Redl, Proposal for Whiteout, 2017. Steel and animated white LEDs, dimensions variable.

Trained in composition and electronic music at the University of Music and Performing Arts in Vienna, Redl is known for his light projections on building façades. His work is inspired by the artists of the Southern California Light and Space movement, such as Robert Irwin, James Turrell, and Doug Wheeler. In “Whiteout,” Redl aims to explore “the use of white in modern and contemporary sculpture.” As the press announcement notes, “In ‘Whiteout,’ Redl assesses white for its typical association with light, but he pushes the associated imagery through repetition and kinetic movement.”

Erwin Redl, Proposal for Whiteout, 2017. Steel and animated white LEDs, dimensions variable.

Collection of the artist. ©Erwin Redl

Erwin Redl, Proposal for Whiteout, 2017. Steel and animated white LEDs, dimensions variable.

In the press statement, Redl said, “I am intrigued by the Park’s option of a large-scale installation that blurs the border between the virtual and the real. The physicality of the swaying orbs in conjunction with the abstract animations of their embedded white lights allows the public to explore a new, hybrid reality in this urban setting.”

Erwin Redl, Proposal for Whiteout, 2017. Steel and animated white LEDs, dimensions variable.

Collection of the artist. ©Erwin Redl

Erwin Redl, Proposal for Whiteout, 2017. Steel and animated white LEDs, dimensions variable.

Visitors are encouraged to post images on Twitter and Instagram using the hastags #MADSQArt and #ErwinRedl.

To read more stories like this, visit Architectural Lighting.

About the Author

Elizabeth Donoff

Elizabeth Donoff is Editor-at-Large of Architectural Lighting (AL). She served as Editor-in-Chief from 2006 to 2017. She joined the editorial team in 2003 and is a leading voice in the lighting community speaking at industry events such as Lightfair and the International Association of Lighting Designers Annual Enlighten Conference, and has twice served as a judge for the Illuminating Engineering Society New York City Section’s (IESNYC) Lumen Award program. In 2009, she received the Brilliance Award from the IESNYC for dedicated service and contribution to the New York City lighting community. Over the past 11 years, under her editorial direction, Architectural Lighting has received a number of prestigious B2B journalism awards. In 2017, Architectural Lighting was a Top Ten Finalist for Magazine of the Year from the American Society of Business Publication Editors' AZBEE Awards. In 2016, Donoff received the Jesse H. Neal Award for her Editor’s Comments in the category of Best Commentary/Blog, and in 2015, AL received a Jesse H. Neal Award for Best Media Brand (Overall Editorial Excellence).Prior to her entry into design journalism, Donoff worked in New York City architectural offices including FXFowle where she was part of the project teams for the Reuters Building at Three Times Square and the New York Times Headquarters. She is a graduate of Bates College in Lewiston, Me., and she earned her Master of Architecture degree from the School of Architecture at Washington University in St. Louis.

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