Commendable Achievement, Interior Lighting – 1100 First Street NE, Washington, D.C.

Entrant: George Sexton Associates

2 MIN READ

Office buildings run the risk of falling into anonymity, which was a possibility for 1100 First Street NE, a modernist glass block designed by Krueck + Sexton Architects. But rather than churn out yet another generic D.C. workspace, the architects delivered an inspired and elegantly chiseled form whose simplicity and power were doubled by a luminous lobby designed by lighting firm George Sexton Associates.

The building’s transparency is the key to its power. The lighting scheme begins on the sidewalk, where visitors are greeted by a series of rectangular concrete benches, gently illuminated by in-grade LED uplights. From there, passersby can peer inside at an art installation by David Batchelor—a glowing column of multicolored boxes lit from within by fluorescent lamps. This playful feature is the only touch of color in the otherwise cool interior, and provides the lobby with a focal point.

The lobby also hosts a wall of back-painted etched glass, white terrazzo flooring, and painted gypsum ceilings, all of which glow with a suffusive white light. Linear 20W metal halide cove strips graze the outer walls, while the glass wall is backlit by dimmable linear 21W T5 fluorescent lamps. Recessed adjustable fixtures in the ceiling near the curtain wall, also 20W metal halides, flush out the ambient lighting. The glass wall also features a subtle etched diamond pattern that sparkles, an effect that is echoed by the terrazzo flooring. “We incorporated light into the interior forms and on vertical surfaces to eliminate the need for a lot of recessed lighting,” George Sexton explains. “This allowed a complete synchronization of form and light, and an energy-efficient solution that provides an exciting experience both day and at night.”

Jury Comments: The architecture and lighting complement one another and create a beautiful composition. • The lighting is well balanced. • The luminous quality of the freestanding light boxes are a great backdrop for the lobby’s focal point artwork.

About the Author

Elizabeth Donoff

Elizabeth Donoff is Editor-at-Large of Architectural Lighting (AL). She served as Editor-in-Chief from 2006 to 2017. She joined the editorial team in 2003 and is a leading voice in the lighting community speaking at industry events such as Lightfair and the International Association of Lighting Designers Annual Enlighten Conference, and has twice served as a judge for the Illuminating Engineering Society New York City Section’s (IESNYC) Lumen Award program. In 2009, she received the Brilliance Award from the IESNYC for dedicated service and contribution to the New York City lighting community. Over the past 11 years, under her editorial direction, Architectural Lighting has received a number of prestigious B2B journalism awards. In 2017, Architectural Lighting was a Top Ten Finalist for Magazine of the Year from the American Society of Business Publication Editors' AZBEE Awards. In 2016, Donoff received the Jesse H. Neal Award for her Editor’s Comments in the category of Best Commentary/Blog, and in 2015, AL received a Jesse H. Neal Award for Best Media Brand (Overall Editorial Excellence).Prior to her entry into design journalism, Donoff worked in New York City architectural offices including FXFowle where she was part of the project teams for the Reuters Building at Three Times Square and the New York Times Headquarters. She is a graduate of Bates College in Lewiston, Me., and she earned her Master of Architecture degree from the School of Architecture at Washington University in St. Louis.

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