2017 AL Design Awards: Baylor University Paul L. Foster Campus for Business and Innovation

Best Use of Daylighting

2 MIN READ
Cantilevered team workrooms and projecting counter areas, both clad in light wood, act as vertical reflectors of daylight that filters down from the deep skylight wells above.

Paul Bardagjy

Cantilevered team workrooms and projecting counter areas, both clad in light wood, act as vertical reflectors of daylight that filters down from the deep skylight wells above.

The atrium.

Paul Bardagjy

The atrium.

Daylighting a four-story atrium seems a reasonable lighting approach for any project, except when the project is located in Texas where heat gain, glare, and thermal comfort are all serious problems. But that is exactly what the Paul L. Foster Campus for Business and Innovation at Baylor University does.

Atrium perspective/axonometric section

Lam Partners

Atrium perspective/axonometric section

A collaboration between the university, architects Overland Partners, and lighting design firm Lam Partners, the goal was to provide as much natural light in the building throughout the year as possible without causing discomfort. The architects originally envisioned a north-facing, sawtooth, monitor-style roof. Although that would have been effective, Lam encouraged the team to explore a more dynamic solution.

The atrium reflected ceiling plan diagrams show how the deep, scuplted skylight wells and rooftop scoops work in tandem to capture and redirect daylight to different portions of the atrium throughout the day.

Lam Partners

The atrium reflected ceiling plan diagrams show how the deep, scuplted skylight wells and rooftop scoops work in tandem to capture and redirect daylight to different portions of the atrium throughout the day.

Early sun-path studies showed a site flooded with light. The roof that Overland designed moved the entire team in the direction of a grid system. This allowed for deep light wells that Lam shaped using parametric software to respond to the sun’s varying angles, which cut out most of the unwanted daylight. To control the rest, a light scoop was added above each skylight. A recessed linear uplight provides “a contrasting accent to each volume at night.” These skylight modules are positioned throughout the atrium as needed creating a technically sophisticated daylighting response that also functions as a sculptural element.

Detail of the atrium ceiling. The specific orientation of the skylight "modules" and the resulting differentiation in direct daylight patterning transforms the ceiling into a dynamic composition that responds to changing sky and light conditions outside.

Paul Bardagjy

Detail of the atrium ceiling. The specific orientation of the skylight "modules" and the resulting differentiation in direct daylight patterning transforms the ceiling into a dynamic composition that responds to changing sky and light conditions outside.


Jury Comments
Strategic use of daylighting to enhance the space. • Expertly done and well thought out.

Details
Project: Baylor University Paul L. Foster Campus for Business and Innovation, Waco, Texas • Client: Baylor University, Waco • Architect: Overland Partners, San Antonio • Lighting Designer: Lam Partners, Cambridge, Mass. • Lighting Team Members: Paul Zaferiou, Justin Brown, Kera Lagios • Photographer: Paul Bardagjy • Project Size: 285,000 square feet • Project Cost: $99 million • Lighting Cost: $2.3 million • Watts per Square Foot: 0.59 • Code Compliance: Not Applicable • Manufacturers: Acuity Brands/Juno, Amerlux, Architectural Lighting Works (ALW), Axis Lighting, Cole Lighting, Erco, Fluxwerx, Lumenpulse, Neidhardt/ALW, Philips Color Kinetics, Philips Lightolier, Prudential Lighting

About the Author

Elizabeth Donoff

Elizabeth Donoff is Editor-at-Large of Architectural Lighting (AL). She served as Editor-in-Chief from 2006 to 2017. She joined the editorial team in 2003 and is a leading voice in the lighting community speaking at industry events such as Lightfair and the International Association of Lighting Designers Annual Enlighten Conference, and has twice served as a judge for the Illuminating Engineering Society New York City Section’s (IESNYC) Lumen Award program. In 2009, she received the Brilliance Award from the IESNYC for dedicated service and contribution to the New York City lighting community. Over the past 11 years, under her editorial direction, Architectural Lighting has received a number of prestigious B2B journalism awards. In 2017, Architectural Lighting was a Top Ten Finalist for Magazine of the Year from the American Society of Business Publication Editors' AZBEE Awards. In 2016, Donoff received the Jesse H. Neal Award for her Editor’s Comments in the category of Best Commentary/Blog, and in 2015, AL received a Jesse H. Neal Award for Best Media Brand (Overall Editorial Excellence).Prior to her entry into design journalism, Donoff worked in New York City architectural offices including FXFowle where she was part of the project teams for the Reuters Building at Three Times Square and the New York Times Headquarters. She is a graduate of Bates College in Lewiston, Me., and she earned her Master of Architecture degree from the School of Architecture at Washington University in St. Louis.

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