Cathedral of Our Lady and Its Surroundings

Outstanding Achievement • Exterior Lighting • Entrant: Susanna Antico Lighting Design Studio

2 MIN READ
South View from Groenplaats, Cathedral of Our Lady, Antwerp, Belgium

Benno Van den Bogaert

South View from Groenplaats, Cathedral of Our Lady, Antwerp, Belgium

In 2009, the City of Antwerp, Belgium, commissioned and implemented a comprehensive lighting master plan, the first major project of which involved new lighting for the main square and historical center, Grote Markt (Big Market). Based on the master plan’s success, the city allocated funds to light its most important monument, the Cathedral of Our Lady. Considered the most relevant and perfect expression of Brabantine Gothic style, the cathedral holds court on the city skyline from numerous vantage points.

View of north transept from the Lijnwaadmarkt, Cathedral of Our Lady, Antwerp, Belgium

Benno Van den Bogaert

View of north transept from the Lijnwaadmarkt, Cathedral of Our Lady, Antwerp, Belgium

Susanna Antico Lighting Design Studio’s lighting strategy celebrates the architectural masterpiece while creating ambiance in its adjacent public spaces, minimizing light pollution, and utilizing sustainable lighting practices.

Linear LED floodlights integrated into the cathedral’s façade create drama at night. Architectural detailing is highlighted from grade upward with diffuse, wall-grazing light that becomes sharper and more descriptive upward to the spire and its distinctive gold clock. Cooler color temperatures at the higher elevations create a greater depth of field for the viewer. The lighting fixtures, carefully concealed in the design, remain hidden during the day.

Detail, Belfort Tower, Cathedral of Our Lady, Antwerp, Belgium

Benno Van den Bogaert

Detail, Belfort Tower, Cathedral of Our Lady, Antwerp, Belgium

Detail, Crossing Tower, Cathedral of Our Lady, Antwerp, Belgium

Benno Van den Bogaert

Detail, Crossing Tower, Cathedral of Our Lady, Antwerp, Belgium

At ground level, walls of surrounding buildings reflect ambient light from remote projectors positioned on neighboring buildings with their owners’ approval. As a result of their different locations, the projectors output light that is not symmetrical, requiring tweaks in light optics, beam distribution, and intensities to achieve an even look.

Increasing the project’s complexity were restrictions against drilling into the cathedral’s stone masonry and mounting onto the historical building material. The entire installation—totaling 8 miles of cable and 675 luminaires—can be easily removed and the cathedral returned to its initial state.

Susanna Antico Lighting Design Studio’s thoughtful solution has led residents and visitors to linger at night in the soft lighting of the cathedral’s surrounds, now ideal settings for romantic walks or sipping Belgian beer. At the project’s inauguration, the mayor became emotional when switching on the lighting, and the cathedral’s pastor declared, “The cathedral finally has the lighting it deserves.”

Blauwmoeselstraat from Lijnwaadmarkt, Cathedral of Our Lady, Antwerp, Belgium

Benno Van den Bogaert

Blauwmoeselstraat from Lijnwaadmarkt, Cathedral of Our Lady, Antwerp, Belgium

Juror Quote
“The lighting design fits the surrounding character and context, but yet has prominence and that wow factor.” —Rachel Fitzgerald, senior lighting designer and associate, Stantec

East view of Abside, Cathedral of Our Lady, Antwerp, Belgium

Benno Van den Bogaert

East view of Abside, Cathedral of Our Lady, Antwerp, Belgium

West view from River Schelde along the Suikerrui

Benno Van den Bogaert

West view from River Schelde along the Suikerrui

View of north transept from the Lijnwaadmarkt, Cathedral of Our Lady, Antwerp, Belgium

Benno Van den Bogaert

View of north transept from the Lijnwaadmarkt, Cathedral of Our Lady, Antwerp, Belgium

Blauwmoeselstraat from the Handschoenmarkt, Cathedral of Our Lady, Antwerp, Belgium

Benno Van den Bogaert

Blauwmoeselstraat from the Handschoenmarkt, Cathedral of Our Lady, Antwerp, Belgium

North transept portico, Cathedral of Our Lady, Antwerp, Belgium

Benno Van den Bogaert

North transept portico, Cathedral of Our Lady, Antwerp, Belgium

Detail, main portico, Cathedral of Our Lady, Antwerp, Belgium

Benno Van den Bogaert

Detail, main portico, Cathedral of Our Lady, Antwerp, Belgium

Aerial view from above the Groenplaats, Cathedral of Our Lady, Antwerp, Belgium

Benno Van den Bogaert

Aerial view from above the Groenplaats, Cathedral of Our Lady, Antwerp, Belgium


Details
Project Name: Cathedral of Our Lady, Antwerp, Belgium
Client/Owner: City of Antwerp, Belgium
Lighting Designer: Susanna Antico Lighting Design Studio, Milan, Italy • Susanna Antico, Gad Giladi, Helena Gentili, Georg Balans
Electrical Engineer and Project Manager: Fluvius (formerly Eandis)
Cathedral Lighting Installation: Maes Industriële Verlichting
Cathedral Façade and Site Lighting Installer: Verstraete Vanhecke
Photographer: Benno Van den Bogaert
Project Size: 36,000 square meters
Project Cost: €2.5 million ($2.8 million)
Lighting Cost: €1.1 million ($1.2 million)
Watts per Square Foot: 0.04
Code Compliance: None required, but fully complies with European Commission 2030 climate & energy framework that requires a 40% cut in public energy consumption from 1990 levels. (The project has achieved cuts in energy consumption in excess of 80% as compared to the previous lighting system in use until 2018.)
Manufacturers: We-ef, Schréder, Griven, Willy Meyer+Sohn

About the Author

Murrye Bernard

Murrye Bernard, AIA, LEED AP, is an architect, writer, editor, and strategist based in Los Angeles. Her work has appeared in many design publications, including Architectural Lighting, Architectural Record, and Hospitality Design. Most recently, she was the managing editor of Contract magazine; she has also served as editor of AssociateNews and Forward, newsletters of the AIA National Associates Committee, and as contributing editor to e-Oculus, the newsletter of the AIA New York Chapter. Murrye earned a B.Arch. from the University of Arkansas, and has practiced with Polk Stanley Rowland Curzon Porter Architects (now Polk Stanley Wilcox) in Little Rock, Ark., and TEK Architects in New York.

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