Where is the Next Edison Price?

4 MIN READ

Where to begin? So much has transpired—good and bad—since I last penned this column. First there is the economy. In the United States, as well as globally, the economy took a nose dive in late September. U.S. financial institutions—investment banks such as Lehman Brothers and Bear Stearns—that once seemed the pillars of economic soundness are gone, the victims of bad speculation, management, and greed. The Dow Jones Industrial Average has suffered decline after decline, posting a notable single-day loss on Sept. 29, 2008, of 777 points. This finally forced the U.S. government to step in with a financial bailout plan of $700 billion to stop the situation from further spiraling out of control. Like a patient being monitored in an intensive care unit, the bailout plan has appeared to temporarily stabilize the economy, but the patient is not out of the clear yet. It’s too painful to look at depleted 401k and other retirement accounts. Recovery will take an undetermined amount of time.

And yet there are signs of healing and optimism in the political landscape, with the election of Barack Obama as the 44th president of the United States. It is a bold decision that Americans should be proud of as we refind our way as a nation. Of course, it represents a historic “first”—the first black man elected to the highest office in the land. But it also signals desire for change, representing a spirit that is undeniably American. As we dare to take a risk for the sake of achieving something greater than the present offers us, we become the entrepreneurs of our own future.

Architectural lighting design, as an industry, also stems from an entrepreneurial spirit. When there was no such thing as a “lighting designer,” early pioneers in the field such as Abe Feder, Richard Kelly, and Edison Price did not just light spaces, they invented ways to illuminate, and in the process created the fixtures necessary to get the job done. Price, whose namesake company Edison Price is synonymous with lighting design, worked with some of the most notable architects of the 20th century—Ludwig Mies van der Rohe, Louis Kahn, Philip Johnson, Marcel Breuer, Buckminster Fuller, and I.M. Pei. Equal parts inventor, engineer, designer, and craftsman, one cannot think of recessed and track lighting and not think of the two innovations for which Price is recognized. Ahead of his time with low-brightness, glare-free fixtures, Price established what have since become industry conventions, setting the benchmark for future product development. Price has long been recognized as a great innovator. In today’s lighting industry, is it possible for such an individual to exist?

Recent mergers and acquisitions between lighting companies, such as Cooper’s purchase of io Lighting and Philips’ notable acquisitions of Color Kinetics and the Genlyte Group, have changed the playing field completely. As a result, the U.S. lighting industry is dominated by four conglomerates—Acuity Brands, Philips, Hubbell, and Cooper. While there are business advantages for smaller lighting companies that are brought under the umbrella of larger manufacturers, with their presumably greater available resources, questions still remain: Is the research and development process for new fixtures, sources, materials, and technologies at risk when it sits under the purview of so few corporate structures? Do these conditions foster true innovation and an entrepreneurial spirit that will allow the U.S. lighting industry to remain competitive in the global marketplace? Will the structure of the lighting industry fall out of balance as small- and medium-sized companies disappear?

Most likely, the days of a designer establishing a viable lighting company—as Price did with Edison Price, or as Sy Shemitz did with Elliptipar and Tambient—are long gone. However, it does appear that new innovations such as solid-state lighting and thin-film technologies are serving as the catalyst for the formation of new companies. Lighting manufacturers of the future will not build themselves around fixtures, per se, but around new applications. Once the technology has been established, fixtures will follow suit.

President-elect Obama seems to possess the wisdom and fortitude to overcome the economic and political obstacles at hand. There is no reason why the same cannot be true for lighting. Now is the time to envision a new definition of our industry, one that cultivates an environment of innovation and exploration, and creates a new generation of Edison Prices.

About the Author

Elizabeth Donoff

Elizabeth Donoff is Editor-at-Large of Architectural Lighting (AL). She served as Editor-in-Chief from 2006 to 2017. She joined the editorial team in 2003 and is a leading voice in the lighting community speaking at industry events such as Lightfair and the International Association of Lighting Designers Annual Enlighten Conference, and has twice served as a judge for the Illuminating Engineering Society New York City Section’s (IESNYC) Lumen Award program. In 2009, she received the Brilliance Award from the IESNYC for dedicated service and contribution to the New York City lighting community. Over the past 11 years, under her editorial direction, Architectural Lighting has received a number of prestigious B2B journalism awards. In 2017, Architectural Lighting was a Top Ten Finalist for Magazine of the Year from the American Society of Business Publication Editors' AZBEE Awards. In 2016, Donoff received the Jesse H. Neal Award for her Editor’s Comments in the category of Best Commentary/Blog, and in 2015, AL received a Jesse H. Neal Award for Best Media Brand (Overall Editorial Excellence).Prior to her entry into design journalism, Donoff worked in New York City architectural offices including FXFowle where she was part of the project teams for the Reuters Building at Three Times Square and the New York Times Headquarters. She is a graduate of Bates College in Lewiston, Me., and she earned her Master of Architecture degree from the School of Architecture at Washington University in St. Louis.

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