The Road Ahead

How the economy is affecting the lighting industry

7 MIN READ

The current economic turmoil is forcing individuals and businesses to address an unprecedented set of challenges. While certain sectors such as the housing market have been completely blindsided, the lighting industry, both in design practice and manufacturing, is reacting somewhat differently. Firms and lighting companies have remained busy and it is only now, at the beginning of 2009, that the lighting industry is starting to see the impact of project slowdowns. What follows is an overview of some of the issues at hand for the lighting community as it navigates present economic conditions.

THE EFFECT ON DESIGN FIRMS AND DESIGNERS Overall, the lighting community has experienced unprecedented growth over the past several years. The architectural community at large is more focused than ever on the value of good lighting. Lighting designers, in the U.S. and abroad, were still indicating at the close of 2008 that they remained extremely busy and could not hire enough staff to support their project load. “There are just not enough lighting designers out there to meet the demand,” says lighting designer Brian Stacy, of Arup Lighting in New York. This is in part due to the limited number of university-based lighting design programs and the correspondingly small number of graduates entering the workforce each year. Additionally, there is a gap between entry- and senior-level professionals; past recessions removed the ever-valuable midcareer designer from the continuum as they left lighting for other industries.

While many architecture firms are being forced to cut significant percentages of their staffs, at present lighting design firms are not facing a similar situation. With a growing group of newly unemployed architects and designers looking for work, as well as recent architecture graduates entering a profession that is not hiring, one wonders if architecture’s misfortune could be lighting’s gain? Lighting designers could take advantage of tapping into new employee streams. But the opportunity may vanish quickly. As projects are canceled or put on hold, and the effects trickle down to lighting designers, they may lose the chance to recruit this potential human resource. The lighting community may be equally at risk of losing its own group of recent and new graduates from lighting programs, as they search for employment in other fields during these difficult economic times. “There are some upcoming graduates we’d like to hire,” says Glenn Heinmiller, principal at Cambridge, Mass.–based Lam Partners. “But given the economic situation, we need to be especially careful about our employment commitments.”

ON THE MANUFACTURING FRONT Many companies such as B-K Lighting, Day-Brite Lighting, Erco, Litecontrol, Martin, Selux, and Visa Lighting indicated stellar growth overall through the end of 2008, commenting generally that they had seen some of their highest sales figures to date. Brian Golden of Hanson, Mass.–based Litecontrol notes the company had experienced record shipments at the end of 2008. “There is no doubt that 2009 is expected to be difficult,” says Nick Bleeker, director of business development for Tupelo, Miss.–based Day-Brite Lighting.

Initially, when the U.S. housing and mortgage crisis began to reveal itself in summer 2008, lighting manufacturers were operating under production schedules with a 12- to 18-month outlook. From June to December 2008, manufacturers reworked these timelines to a more immediate three- to six-month window that will require designers and manufacturers to be much more efficient in their project planning. “We anticipate a slowdown in the next quarter as jobs are being pushed off by a month or two,” Golden says. Since November 2008, lighting manufacturers have seen a decline in quotes, an indicator in a general slowdown of new work.

GAUGING THE FUTURE In an effort to assess business cycles, designers and manufacturers alike are paying close attention to several construction- and lighting-specific economic indexes, including the American Institute of Architects (AIA) Architecture Billings Index (ABI) and the National Electrical Manufacturers Association (NEMA) Lighting Systems Index (LSI). In December, the ABI, for the second consecutive month, posted its lowest level since the survey was initiated in 1995: 34.7. The ABI has fallen below 50 for eight consecutive months. (Scores above 50 represent billing increases.) Inquiries for new projects scored at 38.3, also a historic low. A regional look indicates that the Northeast (39.5) remains busiest in terms of project activity followed by the South (36.8), West (33.5), and Midwest (31.4). In terms of project types, mixed practice (44.5) remains strong followed by institutional (40.8), multifamily residential (30), and commercial/industrial (26.7).

The LSI, the key index for lighting manufacturers, declined by 4.3 percent in the third quarter of 2008. And while the index has fluctuated over the past several quarters, overall it has contracted by 7.5 percent in the past year, and by 12 percent since the start of 2006. (Data from 2002 is used as the index’s 100-point benchmark.) The third quarter of 2008 represented a point level of 92.5. Previous lows date back to the fourth quarter of 2006 (93.5) and the first quarter of 1999 (94.5). The low mark for the third quarter of 2008 indicates the reduction of domestic shipments for all six lighting equipment segments—ballasts, emergency lighting, lamps, lighting controls, luminaries, and solid-state lighting—with large lamps posting the greatest overall decline.

Not surprisingly, demand for residential lighting equipment was weak. Housing starts are limited, and builders still do not have a sense whether the market has hit bottom. Very few lighting design firms have concentrated their practices solely on residential work, and it appears that manufacturers will continue to feel a greater impact in this sector than designers.

IS GREEN DESIGN AT RISK? With banks limiting credit and consumers being extremely cautious about new purchases, even energy-efficient lighting equipment, such as compact fluorescent light bulbs, has experienced a decline in sales according to the LSI. Belt-tightening consumers view the higher first-cost pricing of such products as a deterrent. While this might seem like a small point, it actually calls attention to a much more troubling scenario: The economic recession could stunt the growth and success of the green building movement.

Contrary to what the LSI indicates for the green residential market, lighting manufacturers who create products for the commercial sector remain confident that lighting specifiers will continue to request energy-efficient products. “It’s about producing luminaires that optimize performance,” Day-Brite Lighting’s Bleeker says.

About the Author

Elizabeth Donoff

Elizabeth Donoff is Editor-at-Large of Architectural Lighting (AL). She served as Editor-in-Chief from 2006 to 2017. She joined the editorial team in 2003 and is a leading voice in the lighting community speaking at industry events such as Lightfair and the International Association of Lighting Designers Annual Enlighten Conference, and has twice served as a judge for the Illuminating Engineering Society New York City Section’s (IESNYC) Lumen Award program. In 2009, she received the Brilliance Award from the IESNYC for dedicated service and contribution to the New York City lighting community. Over the past 11 years, under her editorial direction, Architectural Lighting has received a number of prestigious B2B journalism awards. In 2017, Architectural Lighting was a Top Ten Finalist for Magazine of the Year from the American Society of Business Publication Editors' AZBEE Awards. In 2016, Donoff received the Jesse H. Neal Award for her Editor’s Comments in the category of Best Commentary/Blog, and in 2015, AL received a Jesse H. Neal Award for Best Media Brand (Overall Editorial Excellence).Prior to her entry into design journalism, Donoff worked in New York City architectural offices including FXFowle where she was part of the project teams for the Reuters Building at Three Times Square and the New York Times Headquarters. She is a graduate of Bates College in Lewiston, Me., and she earned her Master of Architecture degree from the School of Architecture at Washington University in St. Louis.

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