One-on-One with Terry Clark

Building a better luminaire.

2 MIN READ

Jeff Singer

“Manufacturers have a responsibility to avoid some of the lessons we learned a long time ago. There are glare bombs being built and offered today—that’s just shocking. I don’t understand the dynamics of an LED company to make that kind of choice. We are shooting ourselves in the foot, returning to painfully bright luminaires. That’s where a savvy design community has to step in, reject them and say that’s not acceptable.”

With business degree in hand, Terry Clark was on his way to a career in the high-tech industry, but then a management recruiter approached him and asked him to take a look at the lighting industry. That was 20 years ago, and the rest, as they say, is history. In that time Clark has built a company—Finelite—and put his stamp on solving glare in the workplace. Creating affordably priced, quality luminaires that provide glare-free illumination has been the company’s central mission. In the constant strive to build a better luminaire, Clark sees every potential obstacle as an opportunity for new knowledge and growth. “Lighting,” he says, is “a wonderful place to be right now.”

What do you find fascinating about lighting?
In one word: collaboration. Lighting is a tremendously people-oriented business.

What makes a great luminaire?
When you are able to understand the users’ needs and provide a luminaire that can deliver.

How has business changed the past 20 years?
Like all businesses, we’ve had a tremendous compression with respect to the time we have to make intelligent responses to the market’s needs. We have to do more with less, and we’ve got to do it faster.

Where is the business of lighting heading?
Lighting is an extremely segmented and fractionalized industry. The thrust of solid-state lighting, of more intelligent sensors and controls, is actually accelerating the segmentation. This is a golden age for division managers and entrepreneurs to identify a segment and do it extremely well.

What do you find exciting about the current integration of LEDs into lighting?
The type of LEDs Finelite has chosen for our application is the mid-power LED that is the workhorse of the TV and display industry. The TV industry isn’t meeting its sales projections. That means there are millions of mid-power LEDs that have to be sold. As a result, we have seen price drops that I did not expect to see until late 2012, early 2013. The upside for us is that it lets us bring out state-of-the-art products more quickly.

How can good faith be maintained in SSL?
Demonstrate, validate, and educate.

About the Author

Elizabeth Donoff

Elizabeth Donoff is Editor-at-Large of Architectural Lighting (AL). She served as Editor-in-Chief from 2006 to 2017. She joined the editorial team in 2003 and is a leading voice in the lighting community speaking at industry events such as Lightfair and the International Association of Lighting Designers Annual Enlighten Conference, and has twice served as a judge for the Illuminating Engineering Society New York City Section’s (IESNYC) Lumen Award program. In 2009, she received the Brilliance Award from the IESNYC for dedicated service and contribution to the New York City lighting community. Over the past 11 years, under her editorial direction, Architectural Lighting has received a number of prestigious B2B journalism awards. In 2017, Architectural Lighting was a Top Ten Finalist for Magazine of the Year from the American Society of Business Publication Editors' AZBEE Awards. In 2016, Donoff received the Jesse H. Neal Award for her Editor’s Comments in the category of Best Commentary/Blog, and in 2015, AL received a Jesse H. Neal Award for Best Media Brand (Overall Editorial Excellence).Prior to her entry into design journalism, Donoff worked in New York City architectural offices including FXFowle where she was part of the project teams for the Reuters Building at Three Times Square and the New York Times Headquarters. She is a graduate of Bates College in Lewiston, Me., and she earned her Master of Architecture degree from the School of Architecture at Washington University in St. Louis.

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