One-on-One with Gerd Pfarré

Interview with lighting designer Gerd Pfarré, principal, Pfarré Lighting Design, Munich

2 MIN READ

Not one to be confined by conventional education or practice, Gerd Pfarré credits a love of nature and travel as his foundation as a lighting designer. Training in carpentry and cabinet-making led him to the disciplines of architecture, interiors, and lighting. After initially working as a freelance designer, he joined Ingo Maurer’s workshop in Munich in 1983 as one of its first design employees. Pfarré worked for 13 years with the lighting maestro, whom he credits as his mentor, before setting up his own studio in Munich. Given Pfarré’s intense passion for the creative process, he is undoubtedly among the most unique minds in lighting design.


What intrigues you about light?
That magic moment when the lights are turned on for the first time.

Do you see architecture and architectural lighting as distinct disciplines?
They are one discipline. Light makes it all visible. I am waiting for the day when people will understand that we are designers of reflection.

Is there a text that has influenced your thinking about light?
There is a First Nation legend from Canada called “The Raven Steals the Light.” It’s about how the stars, the sky, and the sun were created.

Advice for a young lighting designer?
Burn your fingers while focusing a damned hot fixture. Learn to scribble an idea on paper while talking to someone.

What aspect of lighting would you like to see given more attention?
There needs to be more discussion about lighting quality, particularly visual comfort and how new lighting technologies do, and do not, respond. Lighting is not just about quantity.

How have new lighting technologies expanded design possibilities?
Significantly. We’re able to use light more intelligently. However, intelligence does not necessarily help one in being creative.

Where do you see lighting design heading?
I hope more clients will understand the benefits of paying realistic fees for professional design services and what I’d call “applied creativity.” As a profession, we are still considered as an “add-on” but there is an increasing awareness of what we can really do. •


“When I start working on a project, I’m thinking light, not product. That’s the honest, creative way to approach design work.” — Gerd Pfarré, principal, Pfarré Lighting Design, Munich

About the Author

Elizabeth Donoff

Elizabeth Donoff is Editor-at-Large of Architectural Lighting (AL). She served as Editor-in-Chief from 2006 to 2017. She joined the editorial team in 2003 and is a leading voice in the lighting community speaking at industry events such as Lightfair and the International Association of Lighting Designers Annual Enlighten Conference, and has twice served as a judge for the Illuminating Engineering Society New York City Section’s (IESNYC) Lumen Award program. In 2009, she received the Brilliance Award from the IESNYC for dedicated service and contribution to the New York City lighting community. Over the past 11 years, under her editorial direction, Architectural Lighting has received a number of prestigious B2B journalism awards. In 2017, Architectural Lighting was a Top Ten Finalist for Magazine of the Year from the American Society of Business Publication Editors' AZBEE Awards. In 2016, Donoff received the Jesse H. Neal Award for her Editor’s Comments in the category of Best Commentary/Blog, and in 2015, AL received a Jesse H. Neal Award for Best Media Brand (Overall Editorial Excellence).Prior to her entry into design journalism, Donoff worked in New York City architectural offices including FXFowle where she was part of the project teams for the Reuters Building at Three Times Square and the New York Times Headquarters. She is a graduate of Bates College in Lewiston, Me., and she earned her Master of Architecture degree from the School of Architecture at Washington University in St. Louis.

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