Cove Lighting

Breaking down the components of this core lighting detail.

1 MIN READ


Cove lighting is one of the basic lighting techniques, a type of uplighting that directs light to the ceiling plane from a cove on one or more sides of a room to provide overall diffuse illumination. It is also referred to as ambient luminescence. Cove lighting is typically mounted to or incorporated into a wall, but it can also be located within a ceiling coffer.


Some things to consider when setting up a cove lighting detail:

1. Be aware of how you are positioning the fixtures. Any joints or gaps between fixtures will show up in the light pattern. Socket shadows (dark spots at the end of a lamp) can be eliminated by placing fixtures end-to-end, in a staggered or a slanted arrangement. Depending on source selection, make sure to use the appropriate spacing between fixtures as well as the positioning from the back wall of the cove.

2. The top of the lamp should be level with the cove fascia; if not, it will create shadow lines.

3. To prevent sharp cutoff lines, stop a cove short of the end wall.

4. Generally, ceiling surface should be a high-reflectance matte or satin finish surface. The inside surface of the cove should be flat white. This minimizes specular reflections.

5. As a cove nears end wall, maintain a minimum clearance of 12 inches at inside corners to prevent hot spots.

6. As the cove’s distance from the ceiling plane increases, the uniformity of the ceiling brightness will also increase.


References

J.E. Flynn and S.M. Mills, Architectural Lighting Graphics, Van Nostrand Reinhold, New York, 1962, p. 182–183

M. David Egan and Victor Olgyay, Architectural Lighting, Second Edition, McGraw Hill, p. 226–227

Mark Karlen and James Benya, Lighting Design Basics, John Wiley & Sons, 2004, p. 59

About the Author

Elizabeth Donoff

Elizabeth Donoff is Editor-at-Large of Architectural Lighting (AL). She served as Editor-in-Chief from 2006 to 2017. She joined the editorial team in 2003 and is a leading voice in the lighting community speaking at industry events such as Lightfair and the International Association of Lighting Designers Annual Enlighten Conference, and has twice served as a judge for the Illuminating Engineering Society New York City Section’s (IESNYC) Lumen Award program. In 2009, she received the Brilliance Award from the IESNYC for dedicated service and contribution to the New York City lighting community. Over the past 11 years, under her editorial direction, Architectural Lighting has received a number of prestigious B2B journalism awards. In 2017, Architectural Lighting was a Top Ten Finalist for Magazine of the Year from the American Society of Business Publication Editors' AZBEE Awards. In 2016, Donoff received the Jesse H. Neal Award for her Editor’s Comments in the category of Best Commentary/Blog, and in 2015, AL received a Jesse H. Neal Award for Best Media Brand (Overall Editorial Excellence).Prior to her entry into design journalism, Donoff worked in New York City architectural offices including FXFowle where she was part of the project teams for the Reuters Building at Three Times Square and the New York Times Headquarters. She is a graduate of Bates College in Lewiston, Me., and she earned her Master of Architecture degree from the School of Architecture at Washington University in St. Louis.

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