Classical Revival

A masterful restoration of the Neues Museum defies categorization, creating a luminous architecture

12 MIN READ

The outcome reflects a complete team effort. Amazingly, although more than 10 people from Kardorff Ingenieure worked on the lighting over the duration of the project, at any given time the team consisted of no more than three people. From the beginning, architect and lighting designer collaborated to create a sequence of harmonious and fluid spaces. “The architects wanted the visitor to be aware of the changing light conditions inside and out,” says Volker von Kardorff. “The light is meant to be seen.”

The Neues Museum offers a rigor of execution and a complexity of gallery spaces, from the grand to the intimate. As Chipperfield writes in the introductory text in the museum guide, “Where each decision, whether about repair, completion or addition, was grounded by the articulation of its physical quality and meaning, where all parts of the building attempt to inflect to a singular idea; an idea not of what is lost, but what is saved.” The architectural lighting for the Neues Museum explores every possibility to add to the museumgoer’s experience of the space, and the new architecture does not hide the building’s scars. Rather it acknowledges them as artifacts, through sympathetic but bold gestures. The design process resulted in a new, unified whole that is greater than the sum of its fractured parts.

DETAILS Project The Neues Museum, Berlin
Client The Prussian Cultural Heritage Foundation, Berlin
Architect David Chipperfield Architects, London and Berlin
Restoration Architect Julian Harrap Architects, London

Project Size 19,600 square meters (total); 8,550 square meters (exhibition area)
Project Cost 200 million euros
Watts Per Square Meter 20
Photographers Achim Kleuker, Kardorff Ingenieure, and Linus Lintner

Manufacturers / Applications
Main Areas and Gallery Spaces
Erco General and exhibition lighting throughout project including track system in historic reconstructed exhibition areas
ETC Exhibition lighting in Greek CourtyardInterferenz General and exhibition lighting with custom designed fittings (linear component with fluorescent light) for exhibition areas with new ceilings
RSL General lighting for Stair Hall; staircase to basement level; exhibition lighting below platform of Egyptian Courtyard; motorized lifts in all areas for custom fittings
Selux Exhibition lighting for areas with new ceilings (spotlight component); security lighting for Greek Courtyard; lighting for circulation areas, restrooms, and administration area,

Other Areas
Bega Stairs at basement level
Bolich Maintenance lighting for Egyptian Courtyard
Derksen Projection Hypostil
Louis Poulsen Emergency staircases and administration areas
Lumatec Emergency signs throughout project
RZB Administration area
Sill Roof lighting for North Cupola

Note: There are 3,000 luminiares in the project, 100 of which have specially designed custom fittings.

About the Author

Elizabeth Donoff

Elizabeth Donoff is Editor-at-Large of Architectural Lighting (AL). She served as Editor-in-Chief from 2006 to 2017. She joined the editorial team in 2003 and is a leading voice in the lighting community speaking at industry events such as Lightfair and the International Association of Lighting Designers Annual Enlighten Conference, and has twice served as a judge for the Illuminating Engineering Society New York City Section’s (IESNYC) Lumen Award program. In 2009, she received the Brilliance Award from the IESNYC for dedicated service and contribution to the New York City lighting community. Over the past 11 years, under her editorial direction, Architectural Lighting has received a number of prestigious B2B journalism awards. In 2017, Architectural Lighting was a Top Ten Finalist for Magazine of the Year from the American Society of Business Publication Editors' AZBEE Awards. In 2016, Donoff received the Jesse H. Neal Award for her Editor’s Comments in the category of Best Commentary/Blog, and in 2015, AL received a Jesse H. Neal Award for Best Media Brand (Overall Editorial Excellence).Prior to her entry into design journalism, Donoff worked in New York City architectural offices including FXFowle where she was part of the project teams for the Reuters Building at Three Times Square and the New York Times Headquarters. She is a graduate of Bates College in Lewiston, Me., and she earned her Master of Architecture degree from the School of Architecture at Washington University in St. Louis.

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