An Italian in New York

1 MIN READ
Planes and volumes provide a neutral backdrop to showcase luminaires and light in Luceplan's new flagship store in New York's SoHo.

Photo: Courtesy of Luceplan

Planes and volumes provide a neutral backdrop to showcase luminaires and light in Luceplan's new flagship store in New York's SoHo.

When Italian lighting company Luceplan made the decision to open a flagship store in New York, there was only one suitable location—SoHo—Greene Street to be exact, where a little bit of Italy has taken root with the presence of retail outlets for fellow Italian design companies such as Artemide, Kartell, and Alessi. Like the elegant and sophisticated, yet contemporary luminaires Luceplan is known for—the Berenice, Costanza, Titania, and Mix—the New York store is a calm oasis where light takes center stage.

Designed by Italian architect Alessandro Scandurra, the 2,300-square-foot space is an exercise in planes and volumes. All the surfaces are white—all the better to showcase the use of color in several of the fixtures, but also the color of light itself, from cool to warm. Upon entering the store, visitors are greeted by a low-horizontal plane displaying Luceplan’s latest offerings. Shadow boxes line the perimeter of the space with additional display luminaires. The center of the store features an open cube—a mobile room, which allows visitors to see a complete space, lit with Luceplan fixtures.

The New York store is the second in a trio of flagship locations Luceplan has committed to. The first, in Milan, opened in December 2006, and plans are underway for a Paris site. Founded in 1978 by Italian architects Riccardo Sarfatti, Sandra Severi, and Paolo Rizzatto, and joined by engineer and industrial designer Alberto Meda in 1984, the company is known for its commitment to quality, innovation, and design—the very approach it has applied to its new Manhattan home.

About the Author

Elizabeth Donoff

Elizabeth Donoff is Editor-at-Large of Architectural Lighting (AL). She served as Editor-in-Chief from 2006 to 2017. She joined the editorial team in 2003 and is a leading voice in the lighting community speaking at industry events such as Lightfair and the International Association of Lighting Designers Annual Enlighten Conference, and has twice served as a judge for the Illuminating Engineering Society New York City Section’s (IESNYC) Lumen Award program. In 2009, she received the Brilliance Award from the IESNYC for dedicated service and contribution to the New York City lighting community. Over the past 11 years, under her editorial direction, Architectural Lighting has received a number of prestigious B2B journalism awards. In 2017, Architectural Lighting was a Top Ten Finalist for Magazine of the Year from the American Society of Business Publication Editors' AZBEE Awards. In 2016, Donoff received the Jesse H. Neal Award for her Editor’s Comments in the category of Best Commentary/Blog, and in 2015, AL received a Jesse H. Neal Award for Best Media Brand (Overall Editorial Excellence).Prior to her entry into design journalism, Donoff worked in New York City architectural offices including FXFowle where she was part of the project teams for the Reuters Building at Three Times Square and the New York Times Headquarters. She is a graduate of Bates College in Lewiston, Me., and she earned her Master of Architecture degree from the School of Architecture at Washington University in St. Louis.

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