One-on-One with David Ghatan

Interview with lighting designer David Ghatan, president of CM Kling + Associates.

2 MIN READ

Eli Meir Kaplan

This article was first published in Architectural Lighting.


At the youthful age of 38, David Ghatan, president of CM Kling + Associates, is a seasoned designer who has been practicing for 18 years. An interest in theater, developed in high school, paid his way through college—a multidisciplinary degree in design from George Washington University in Washington, D.C.—by building sets for local productions during summer breaks. Wanting to make a change, Ghatan then started to look into architectural lighting and called firms in the area, including CM Kling + Associates. The rest, as they say, is history. He started as an intern at Candace (Candy) Kling’s office in the spring of 1999. When his mentor Kling suddenly passed away in 2013, Ghatan assumed leadership of the firm. It’s a lot of responsibility, but not something he shies away from. Case in point, later this year he will become president of the International Association of Lighting Designers—one of the youngest the organization has ever had.

What fascinates you about light?
How this single discipline can be so poetic and at the same time be so scientifically grounded with facts.

Is there a text that has influenced your thinking about light?
Jean Rosenthal’s The Magic of Light. She was a Broadway producer and Candy’s mentor. The book is about stage lighting, but its not a how-to; it’s more of a how to train your thinking.

How do you balance the responsibilities of running a business and being a designer?
Design is what drives me. I’m still designing and I want to be doing that, the trick is that I can’t get to do it all anymore. It’s about hiring people you trust and working with them so that you can still have oversight.

How has the practice of lighting design changed since you first started working?
At the design level, I think it’s very much the same: We’re still working with the architecture, trying to coalesce around concepts and introduce lighting applications. Where it has changed is that we have started to take responsibility for our work; to own what we are doing.

How do you explain a lighting designer’s work?
Storytelling. •

“Once you have a certain amount of experience, you have enough context with lighting to know how it will or will not react to something; that’s the fun of it.” — David Ghatan, president of CM Kling + Associates

Read more stories like this at Architectural Lighting.

About the Author

Elizabeth Donoff

Elizabeth Donoff is Editor-at-Large of Architectural Lighting (AL). She served as Editor-in-Chief from 2006 to 2017. She joined the editorial team in 2003 and is a leading voice in the lighting community speaking at industry events such as Lightfair and the International Association of Lighting Designers Annual Enlighten Conference, and has twice served as a judge for the Illuminating Engineering Society New York City Section’s (IESNYC) Lumen Award program. In 2009, she received the Brilliance Award from the IESNYC for dedicated service and contribution to the New York City lighting community. Over the past 11 years, under her editorial direction, Architectural Lighting has received a number of prestigious B2B journalism awards. In 2017, Architectural Lighting was a Top Ten Finalist for Magazine of the Year from the American Society of Business Publication Editors' AZBEE Awards. In 2016, Donoff received the Jesse H. Neal Award for her Editor’s Comments in the category of Best Commentary/Blog, and in 2015, AL received a Jesse H. Neal Award for Best Media Brand (Overall Editorial Excellence).Prior to her entry into design journalism, Donoff worked in New York City architectural offices including FXFowle where she was part of the project teams for the Reuters Building at Three Times Square and the New York Times Headquarters. She is a graduate of Bates College in Lewiston, Me., and she earned her Master of Architecture degree from the School of Architecture at Washington University in St. Louis.

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