One State Street Lobby Illuminated Feature Wall

Softlab and Focus Lighting create a distinct entry feature for this office building in lower Manhattan.

1 MIN READ
The dichroic film on the panels creates different color reflections.

Alan Tansey

The dichroic film on the panels creates different color reflections.

This story was originally published in Architectural Lighting.

Designed by SoftLab in conjunction with Focus Lighting, the feature wall in the lobby of One State Street in New York City gives the building a distinct entry. At 17 feet tall and 27 feet wide, the aluminum structure is divided into “cells,” each of which is fitted with Plexiglas panels covered with dichroic film. The film “reflects and refracts” light so that the color of each panel changes depending on where the observer is standing.

The feature wall's daytime color palette shifts from warm to cool over the course of the day.

Alan Tansey

The feature wall's daytime color palette shifts from warm to cool over the course of the day.

Focus Lighting designed an illumination strategy that takes this color-changing dynamic to the next level, backlighting the wall with RGBW LEDs. A daytime program takes cues from the human circadian cycle, shifting the light from warm to cool over the course of the day.

The feature wall's nighttime color palette.

Alan Tansey

The feature wall's nighttime color palette.

At night, the wall becomes a kinetic light sculpture rotating through a quintet of colors: dark blue, light blue, pink, purple, and peach.

A detail of the feature wall.

Alan Tansey

A detail of the feature wall.

To read more stories like this, visit Architectural Lighting.

About the Author

Elizabeth Donoff

Elizabeth Donoff is Editor-at-Large of Architectural Lighting (AL). She served as Editor-in-Chief from 2006 to 2017. She joined the editorial team in 2003 and is a leading voice in the lighting community speaking at industry events such as Lightfair and the International Association of Lighting Designers Annual Enlighten Conference, and has twice served as a judge for the Illuminating Engineering Society New York City Section’s (IESNYC) Lumen Award program. In 2009, she received the Brilliance Award from the IESNYC for dedicated service and contribution to the New York City lighting community. Over the past 11 years, under her editorial direction, Architectural Lighting has received a number of prestigious B2B journalism awards. In 2017, Architectural Lighting was a Top Ten Finalist for Magazine of the Year from the American Society of Business Publication Editors' AZBEE Awards. In 2016, Donoff received the Jesse H. Neal Award for her Editor’s Comments in the category of Best Commentary/Blog, and in 2015, AL received a Jesse H. Neal Award for Best Media Brand (Overall Editorial Excellence).Prior to her entry into design journalism, Donoff worked in New York City architectural offices including FXFowle where she was part of the project teams for the Reuters Building at Three Times Square and the New York Times Headquarters. She is a graduate of Bates College in Lewiston, Me., and she earned her Master of Architecture degree from the School of Architecture at Washington University in St. Louis.

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