Rarely Seen Buckminster Fuller Collection to be on Display in Los Angeles

The show centers around original screen-printed films from the architect's "Inventions" portfolio that includes the iconic Geodesic Dome.

1 MIN READ
Non-symmetrical, tension-integrity structure (1981)

Courtesy Edward Cella Art & Architecture

Non-symmetrical, tension-integrity structure (1981)

An upcoming exhibition at the Edward Cella Art & Architecture in Los Angeles will display a rarely seen selection of original drawings, screen-prints, models, and objects by late American architect R. Buckminster Fuller. The exhibition, which will be accompanied by two public programs—organized and presented in collaboration with the Buckminster Fuller Institute—will be the first of its kind to be displayed in LA. The show will open Sept. 8 and will end Nov. 3.

Motor vehicle, Dymaxion car (1981)

Courtesy Edward Cella Art & Architecture

Motor vehicle, Dymaxion car (1981)

Titled “R. Buckminster Fuller: Inventions and Models,” the show will be centered around a collection of Fuller’s “Inventions” portfolio of patents that includes the 20-foot-long, three-wheeled Dymaxion Car and the iconic Geodesic Dome. Visitors will also have a chance to see the architect’s collection of steel and wire tensegrity models, depicting complex, repeatable geometric elements in their structural design. Other works on display include large-scale models such as the Closest Packing of Spheres, the Duo-Tet Star Polyhedras, and the 21-foot-long, multi-hull rowing shell called the Dymaxion Rowing Needle. These works, according to a press release, demonstrate “the hybridity of Fuller’s practice, and his legacy across the fields [of] art, design, science, and engineering.”

Geodesic Structures, Monohex (1981)

Courtesy Edward Cella Art & Architecture

Geodesic Structures, Monohex (1981)

Watercraft, rowing needles (1981)

Courtesy Edward Cella Art & Architecture

Watercraft, rowing needles (1981)

“The exhibition reveals Fuller’s dedication to the potential of innovative integrated design and technology to revolutionize construction and improve human life,” according to a press release. “[His] ability to think across disciplines, connecting the worlds of science, engineering, architecture, design, and art … was one of his most important and lasting contributions.”

Undersea Island, submersible (1981)

Courtesy Edward Cella Art & Architecture

Undersea Island, submersible (1981)

Synergetic building construction, Octetruss (1981)

Courtesy Edward Cella Art & Architecture

Synergetic building construction, Octetruss (1981)

The exhibition was produced in collaboration with Cincinnati Carl Solway Gallery.

About the Author

Ayda Ayoubi

Ayda Ayoubi is a former assistant editor of products and technology for ARCHITECT. She holds master degrees in urban ecological planning from Norwegian University of Science and Technology and in world heritage studies from Brandenburg University of Technology. In the past, she interned with UN-Habitat's New York liaison office and the International Centre for the Study of the Preservation and Restoration of Cultural Property in Rome.

No recommended contents to display.

Upcoming Events

  • Future Place

    Irving, TX

    Register Now
  • Archtober Festival: Shared Spaces

    New York City, NY

    Register Now
  • Snag early-bird pricing to Multifamily Executive Conference

    Newport Beach, CA

    Register Now
All Events