John Yeon’s “Quest for Beauty” Remembered in His Original Forms

An exhibition at the Portland Art Museum focuses on the architecture, landscapes, and collections of the American architect who put the Northwest's Regional style of Modernism on the map.

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Portrait of John Yeon by John Hinchliff, 1977

Courtesy John Yeon Archive

Portrait of John Yeon by John Hinchliff, 1977

Best known for the Watzek House in Portland, Ore., and his role in highlighting regional modern architecture of the Pacific Northwest, the late John Yeon is remembered as of the most influential twentieth-century architects, planners, and historic preservationists of this area. His passion for creating original forms that are harmonious with the natural environment brought an international spotlight to not just his works, but the beauty and importance of the Pacific’s ecosystem.In addition to his contributions, he was also an enthusiastic appreciator of decorative arts and crafts, and gathered personal collections of Asian and European decorative art.

Aubrey Watzek House, Portland, Oregon, 1937

Courtesy Jeremy Bittermann

Aubrey Watzek House, Portland, Oregon, 1937

Aubrey Watzek House, Portland, Oregon, 1937

Courtesy Jeremy Bittermann

Aubrey Watzek House, Portland, Oregon, 1937

An upcoming exhibition pays tribute to his role and passion for regional design. Starting on May 13, the Portland Art Museum, the seventh oldest museum in the U.S., welcomes visitors to explore its latest exhibition. Titled “Quest for Beauty: The Architecture, Landscapes, and Collections of John Yeon,” the multifaceted show features a selection of projects designed by Yeon between 1927 and mid-1950s. This exhibition brings together models, drawings, and a collection of images taken by well known architectural photographers to raise understanding of Yeon’s philosophy, in addition to his sustainable design and architecture. Among the displayed pieces are a dynamic 1934 scheme for Timberline Lodge at the base of Mt. Hood in Oregon (that was also shot in Stanley Kubrick’s horror film “The Shining” for its exterior); his inventive plywood houses of the 1930s; the 1950s suburban “Palace Style” Shaw House in Portland; a time-lapse video of The Shire, a 75-acre landscaped area along the waterfront of the Columbia River George; and a selection of decorative arts lent by Richard Louise Brown—the founder of the Yeon Center.

The Quest for Beauty exhibition opens on May 13 and runs through September 3.

Jingdezhen kilns, Jiangxi Province, China, Baluster Vase with Peony Scroll Design

Courtesy Collection of Richard Louis Brown

Jingdezhen kilns, Jiangxi Province, China, Baluster Vase with Peony Scroll Design

Lawrence and Anne Kistner Shaw house, Portland, Oregon, 1950

Maynard L. Parker/Courtesy The Huntington Library, San Marino, California

Lawrence and Anne Kistner Shaw house, Portland, Oregon, 1950

The Shire, Columbia River Gorge

Courtesy Susan Seubert

The Shire, Columbia River Gorge

About the Author

Ayda Ayoubi

Ayda Ayoubi is a former assistant editor of products and technology for ARCHITECT. She holds master degrees in urban ecological planning from Norwegian University of Science and Technology and in world heritage studies from Brandenburg University of Technology. In the past, she interned with UN-Habitat's New York liaison office and the International Centre for the Study of the Preservation and Restoration of Cultural Property in Rome.

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