Richard Rogers Dies at 88

The prize-winning Italian-British architect was renowned for international works including the Pompidou Center in Paris.

4 MIN READ
Richard Rogers

Phil Fisk

Richard Rogers

On Saturday, Dec. 18, the Pritzker Prizewinning architect Richard Rogers, Hon. FAIA, died in London at the age of 88. In addition to many honors, including a knighthood and the 2019 AIA Gold Medal, Rogers received international acclaim and sparked worldwide controversy for his work on iconic places such as the Pompidou Center in Paris, the Lloyd’s of London building in London, and 3 World Trade Center in New York.

Born in Florence, Italy, on July 23, 1933, Rogers told ARCHITECT in 2019 that he first realized he wanted to be an architect “when [he] met [his] Italian uncle Ernesto Rogers, BBPR architect and editor of Domus, who encouraged [him].” From there, Rogers officially began his career in London where he studied at the Architectural Association School of Architecture. Rogers then went on to attend Yale University School of Architecture in New Haven, Conn., on a Fulbright Scholarship, earning his M.Arch.

The west façade of the Centre Pompidou in Paris.

Flickr user Jean-Pierre Dalbéra via a Creative Commons license

The west façade of the Centre Pompidou in Paris.

After studying under greats including Paul Rudolph and completing a stint at Skidmore, Owings & Merrill in New York, Rogers returned to London, launching Team 4 in 1963 alongside Norman Foster, Hon. FAIA, Wendy Cheesman, and Su Rogers (nĂ©e Brumwell). Team 4’s completed work includes the Skybreak House in Radlett, Hertfordshire (1966), and the Reliance Controls Factory in Swindon, England (1967), but the firm ultimately dissolved. In 1971, Rogers joined forces with Renzo Piano, Hon. FAIA, to form Renzo + Piano and win the commission for the revolutionary Centre Pompidou in Paris. Upon the Pompidou’s completion in 1977, Rogers created his eponymous firm the Richard Rogers Partnership—now Rogers Stirk Harbour + Partners (RSH+P)—in London.

“If a tribute is about a life and not a departure, because Richard’s legacy will live on, then how do I start to define the life and work of my dear departed friend,” wrote Foster in a tribute published by his firm Foster + Partners. “Do I start with the person and move onto the architecture or vice versa? Either way will work because the one is a manifestation of the other.”

In the more than 40 years since the firm’s founding, RSH+P has completed projects around the world including Maggie’s West London (2008), and the Leadenhall Building (2014), in London; T4 Madrid-Barajas Airport in Madrid, Spain (2005); 8 Chifley in Sydney, Australia (2013); the BBVA Bancomer Tower in Mexico City (2016); and 3 World Trade Center in New York (2018). Rogers’s last project is located on the expansive grounds of Château La Coste—a vineyard and art destination in the south of France. Completed earlier this year and dubbed the Richard Rogers’ Drawing Gallery, the 1,300-square-foot steel pavilion cantilevers from a sloping hillside, creating a whimsical contrast with the surrounding landscape.

3 World Trade Center in New York

Joe Woolhead

3 World Trade Center in New York

“Through Richard, as a young graduate, I learnt that architecture was about much more than the design of buildings, its social and political impacts were equally important,” wrote RSH+P senior partner Ivan Harbour in a tribute to Rogers on the firm’s Instagram. “He gave me the opportunity when I was very young to explore and originate unencumbered in the highly creative environment that he presided over. I am indebted to him for that trust he placed in me.”

The Richard Rogers' Drawing Gallery at Château La Coste

James Reeve

The Richard Rogers' Drawing Gallery at Château La Coste

In the same 2019 article referred to above, Rogers told ARCHITECT that he was happiest “at sunset in the Val d’Orcia [in Tuscany] with my family and friends looking at the view of Monte Amiata eating zucchini flowers.”

Rogers’s passing has been widely mourned by members of the design community on social media.

About the Author

Madeleine D'Angelo

Madeleine D'Angelo is an associate editor for ARCHITECT. She graduated from Boston College with B.A.s in English and in French. Previously, she worked as a freelance producer for NPR's On Point and interned for Boston Magazine. Follow her on Twitter.

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