The St. Louis Planetarium by HOK

HOK’s St. Louis Planetarium shows how loose-fit, complex forms can accommodate fast-changing, complicated functions.

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St. Louis Planetarium

Robert Pettus

St. Louis Planetarium

The current fascination in architecture with complex geometries and expressive forms had a precedent in the HOK-designed St. Louis Planetarium, a citation winner in the 1960 P/A Awards program. Its hyperbolic, thin-shell concrete roof, consisting of straight lines rotated around a central vertical axis, created a circular shape that flared out at its base to cover a perimeter porch and glass-enclosed exhibition area and that opened up at its top to encircle a platform initially used for star-gazing. A 60-foot-diameter aluminum planetarium dome originally stood inside the structure, with a suspended spiral ramp leading up to the observation deck. Classrooms, offices, and support spaces occupied the lower level.Time has proved the 1960 jury correct. While the jurors liked the “sculptured form of the exterior,” they found the shape “totally unrelated to the concealed dome” and “the resulting space between the two surfaces … awkward.” In the intervening years, an 80-foot-diameter dome replaced the original, which forced the removal of the ramp and the closing of the observation deck. Exhibition standards also changed, and the once-tall, glass-enclosed display space around the dome acquired hung ceilings, with walls covering the glass. And the growth of the institution, with a large science center attached underground to the planetarium, has led to the removal of the lower-level classrooms and the transformation of that space into a reception area. The elegant hyperbolic roof remains, however, as a testament to the flexibility of complex forms that have a loose-fit relationship with their functions.

1960 P/A Awards Jury
William Caudill
Louis Kahn
Ralph Rapson
Jose Luis Sert
Lyndon Welch

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About the Author

Thomas Fisher

Thomas Fisher, Assoc. AIA, is a professor in the School of Architecture and dean of the College of Design at the University of Minnesota. He was recognized in 2005 as the fifth most published writer about architecture in the U.S., having written more than 50 book chapters or introductions and more than 350 articles in professional journals and major publications. His books include In the Scheme of Things: Alternative Thinking on the Practice of Architecture (2006), Architectural Design and Ethics: Tools for Survival (2008), and Designing to Avoid Disaster: The Nature of Fracture-Critical Design (2012).

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