Esto Gallery: Brutalism

ARCHITECT takes a fresh look at Brutalism through images shot by some of Esto’s finest photographers.

1 MIN READ

Given recent controversy over Brutalist buildings being put in the path of the wrecking ball, it seems appropriate to re-examine some of these structures that, while often lauded in their heyday, are currently demonized by the public. ARCHITECT Editor-in-Chief Ned Cramer, Assoc. AIA, noted in a recent editorial that “it’s a bad time to be a Brutalist building.” But as supporters of Paul Rudolph’s Orange County Government Center learned when they won a vote to not tear down the building (albeit by a narrow margin), the tide may be turning.

Brutalism as a concept evolved, according to architectural critic and theorist Reyner Banham, from “reference[s] to béton brut (raw concrete), which had been one of the most controversial features of Le Corbusier’s recently finished Unité block in Marseilles … and, not least, the art brut of Dubuffet.” [quoted from Reyner Banham’s Historian of the Immediate Future, page 125]

Admirers of the genre celebrate Brutalist buildings for their precast concrete walls with rough, unfinished surfaces; detractors tend to see only their massive forms, which can seem leaden, heavy, and overbearing. Take a look at these pictures, and decide for yourself whether you’re in favor of preservation or demolition.


About the Author

Elizabeth Evitts Dickinson

Elizabeth Evitts Dickinson has been a contributing editor with ARCHITECT since 2008. Her articles and essays have appeared in The New York Times, The New Yorker, Co.Design, and CityLab among many other publications.

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