Artist Liz West Explores Light, Color, and Reflection in Her New Installation “Our Colour Reflection”

The piece is on view at Kraftwerk Berlin through Sept. 24 as part of the group show “Perspective Playground.”

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Liz West's latest work, “Our Colour Reflection,” explores the interplay between light, color, and reflection using colored acrylic mirrors in different sizes.

Klaus Bossemay

Liz West's latest work, “Our Colour Reflection,” explores the interplay between light, color, and reflection using colored acrylic mirrors in different sizes.

This story was originally published in Architectural Lighting.

For her latest work, “Our Colour Reflection,” Manchester, England–based artist Liz West continues her examination of the interplay between light, color, and reflection. The piece, on view at Kraftwerk Berlin, an event space housed in a former 1960s East Berlin power station, is part of a group show titled “Perspective Playground,” sponsored by camera manufacturer Olympus, and on view through Sept. 24.

West relies on the space’s existing lighting—electric and natural—to illuminate the artwork.

Hannah Devereux

West relies on the space’s existing lighting—electric and natural—to illuminate the artwork.

The artwork is comprised of more than 765 colored acrylic mirrors in four different diameters—30 centimeters, 40 centimeters, 50 centimeters, and 60 centimeters. The mirrors, which use a palette of 15 colors, are set at different heights from the floor to create a carpet-like kaleidoscope effect through the main hall.

Hannah Devereux

The artist relies on the space’s existing lighting—electric and natural—to illuminate the artwork, allowing for a dynamic color interplay and ensuring a different visitor experience each time.

Artist Liz West

Daniel Walmsley

Artist Liz West

To read more stories like this, visit Architectural Lighting.

About the Author

Elizabeth Donoff

Elizabeth Donoff is Editor-at-Large of Architectural Lighting (AL). She served as Editor-in-Chief from 2006 to 2017. She joined the editorial team in 2003 and is a leading voice in the lighting community speaking at industry events such as Lightfair and the International Association of Lighting Designers Annual Enlighten Conference, and has twice served as a judge for the Illuminating Engineering Society New York City Section’s (IESNYC) Lumen Award program. In 2009, she received the Brilliance Award from the IESNYC for dedicated service and contribution to the New York City lighting community. Over the past 11 years, under her editorial direction, Architectural Lighting has received a number of prestigious B2B journalism awards. In 2017, Architectural Lighting was a Top Ten Finalist for Magazine of the Year from the American Society of Business Publication Editors' AZBEE Awards. In 2016, Donoff received the Jesse H. Neal Award for her Editor’s Comments in the category of Best Commentary/Blog, and in 2015, AL received a Jesse H. Neal Award for Best Media Brand (Overall Editorial Excellence).Prior to her entry into design journalism, Donoff worked in New York City architectural offices including FXFowle where she was part of the project teams for the Reuters Building at Three Times Square and the New York Times Headquarters. She is a graduate of Bates College in Lewiston, Me., and she earned her Master of Architecture degree from the School of Architecture at Washington University in St. Louis.

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