2016 AL Design Awards: “Manus x Machina: Fashion in an Age of Technology”

Commendable Achievement • Temporary Installations & Exhibits

3 MIN READ

Albert Vecerka/Esto


The Metropolitan Museum of Art’s Costume Institute annual spring exhibition has become one of the museum’s most highly anticipated shows. For 2016, the Met debuted “Manus x Machina: Fashion in an Age of Technology,” which features 170 garments from the early 1900s to present day and “explores how designers are reconciling the handmade and the machine-made in the creation of haute couture and avant-garde ready-to-wear.”

The architecture office of OMA New York and lighting design firm Dot Dash were challenged to meet an eight-week schedule to realize the project. To accomplish this, the designers were teamed with a local manufacturer to prototype, fabricate, and install more than 250 fixtures. After testing a number of market-available halogen and LED luminaires, Dot Dash determined that a custom fixture would be the best solution to provide the optimal color temperature (3000K), output (5W), and adjustability necessary to illuminate the garments. To this last point, the custom accent light “includes a zoom lens for beam spread adjustment and an integral rotary dimmer to set the output based on the throw distance.” This met the conservationist’s requirement of no more than 5 footcandles, while minimizing spill light and shadowing on the scrims behind each exhibit item. Dot Dash also developed a custom mounting system from Unistrut components instead of using an electrified track, to further reduce project costs.

Albert Vecerka/Esto

A drawing illustrates the features of the project's custom-designed luminaire.

Courtesy Dot Dash

A drawing illustrates the features of the project's custom-designed luminaire.

Brett Bayer


The exhibit begins as visitors enter the Cocoon, a 52-foot-tall translucent white volume that dramatically transforms the interior of the museum’s Lehman Wing into a cathedral-like space. Here, museum-goers are greeted by a Chanel wedding dress made out of scuba diving suit material with an embellished 20-foot-long train designed by Karl Lagerfeld in 2014. The Cocoon’s domed ceiling is used as a projection surface to reveal the intricate detail of the train. The gown is illuminated by 24 individually controlled DMX fixtures. Along the perimeter of the space are cases outfitted with a custom LED light bar that house eight of French philosopher Diderot’s Encyclopédies that detail “the processes involved in the creation of fashion.”

Brett Beyers

Brett Beyers

The exhibition continues downstairs in a series of lower-level galleries. Theatrical-style LED luminaires using the custom Unistrut mounting system cross light the angled walls of each niche to create a shadow-free, gradient of light (above). Throughout the exhibit the lighting provides a neutral white light that complements the garment accent lighting and creates an overall balanced effect to showcase the spectacular garments on view.

Albert Vecerka/Esto

Details
Project: “Manus x Machina: Fashion in an Age of Technology” at the Metropolitan Museum of Art’s Costume Institute • Client: The Metropolitan Museum of Art, New York • Architect: OMA New York, New York • Lighting Designer: Dash Dot, New York • Team Members: Christopher Cheap, Isa Sanchez Sevilliano, Jelisa Blumberg, Brian Cheap • Photographer: Albert Vecerka/Esto • Project Size: 20,000 square feet • Project Cost: $6 million • Lighting Cost: $150,000 • Watts per Square Foot: 0.45 • Code Compliance: Compliance was not required but the lighting power density was well below ASHRAE requirements • Manufacturers: 1212 Studio, A&L Lighting, Diode LED, ETC Lighting


Jury Comments
Lighting solution is well executed. • Impressive, given the eight-week time frame. • Balanced color temperature.

One of the display niches.

Courtesy Dot Dash

One of the display niches.

Albert Vecerka/Esto

About the Author

Elizabeth Donoff

Elizabeth Donoff is Editor-at-Large of Architectural Lighting (AL). She served as Editor-in-Chief from 2006 to 2017. She joined the editorial team in 2003 and is a leading voice in the lighting community speaking at industry events such as Lightfair and the International Association of Lighting Designers Annual Enlighten Conference, and has twice served as a judge for the Illuminating Engineering Society New York City Section’s (IESNYC) Lumen Award program. In 2009, she received the Brilliance Award from the IESNYC for dedicated service and contribution to the New York City lighting community. Over the past 11 years, under her editorial direction, Architectural Lighting has received a number of prestigious B2B journalism awards. In 2017, Architectural Lighting was a Top Ten Finalist for Magazine of the Year from the American Society of Business Publication Editors' AZBEE Awards. In 2016, Donoff received the Jesse H. Neal Award for her Editor’s Comments in the category of Best Commentary/Blog, and in 2015, AL received a Jesse H. Neal Award for Best Media Brand (Overall Editorial Excellence).Prior to her entry into design journalism, Donoff worked in New York City architectural offices including FXFowle where she was part of the project teams for the Reuters Building at Three Times Square and the New York Times Headquarters. She is a graduate of Bates College in Lewiston, Me., and she earned her Master of Architecture degree from the School of Architecture at Washington University in St. Louis.

No recommended contents to display.

Upcoming Events

  • Future Place

    Irving, TX

    Register Now
  • Archtober Festival: Shared Spaces

    New York City, NY

    Register Now
  • Snag early-bird pricing to Multifamily Executive Conference

    Newport Beach, CA

    Register Now
All Events