2014 AL Design Awards: St. Moritz Church, Augsburg, Germany

Entrant: Mindseye Lighting

2 MIN READ
The Altar area is illuminated by 10 framing projectors concealed from view.

Marcus Schröther

The Altar area is illuminated by 10 framing projectors concealed from view.

St. Moritz Church, one of the oldest parishes in Augsburg, Germany, dates back to 1019. Over time, it has experienced its share of demolition and rebuilding efforts shaped by fire, changes in religious practices, and war. Heavily bombed during World War II, only its outer walls were left standing. At the end of the war, German architect Dominikus Böhm oversaw its rebuilding.

In the church’s latest transformation, the team of London-based designer John Pawson and London-based lighting design firm Mindseye Lighting sought to bring light and clarity to the structure’s interiors while being mindful of the building’s history and the work of the previous architects.

In keeping with the minimalist aesthetic of their teammate Pawson, Mindseye developed a scheme that uses illumination to help define the architectural volumes and bring out the subtle textures found in the material palette of wood, stone, and plaster. A visitor notices the quality of light, not the fixtures themselves. Furthermore, Mindseye employed a dynamic white-light scheme that enables most of the luminaires in the church to change from warm (2700K) to neutral (4000K) white light. It also serves as the design mechanism by which natural light and electric light are coordinated; warm-white color temperatures are prevalent during evening Mass and neutral-white is used during the day.

The main nave spans 29.5 feet wide by 108 feet long. Clerestory windows let in natural light, while a series of side arches and cove-lit domes lead the visitor’s eye to the altar and the far wall beyond it, which features a Baroque figure of Christ. The sculpture is backlit, as well as highlighted from the front by two 150W metal halide spotlights. The altar is illuminated by 10 projector luminaires placed behind the dome lip.

The use of white light provides an elegant, subtle illumination throughout the church, one that creates an experiential understanding of light as it corresponds to the different services and ceremonies that take place both each day and seasonly.

Jury Comments
Stunning.
Shows absolute clarity of design intent.
Perfect.

A view of the main nave.

Marcus Schröther

A view of the main nave.

The Baroque figure of Christ in the main nave is backlit along with two additional 150W metal halide spotlights aimed from the front.

Marcus Schröther

The Baroque figure of Christ in the main nave is backlit along with two additional 150W metal halide spotlights aimed from the front.







Details
Project St. Moritz Church, Augsburg, Germany
Entrant Mindseye Lighting Ltd.
Owner/Client Church of St. Moritz, Augsburg, Germany
Architect John Pawson Ltd., London
Lighting Designer Mindseye Lighting Ltd., London
Team Members Admir Jukanovic, Douglas James, Eszter Hanzseros, Raquel Meseguer
Photographer Marcus Schrother
Project Size 15,941 square feet
Project Cost £225,000 ($357,883)
Lighting Costs £212,000 ($337,206)
Watts per Square Foot 0.66
Code Compliance Not Applicable (No energy code requirements in the project locale.)
Manufacturers ETC, iGuzzini, LTS, Martini, Meyer, Norka, Philips Color Kinetics, Precision Lighting, RUCO, Weckmer, Vexica

To see all of the other winners of the 2014 AL Light & Architecture Design Awards, click here.


About the Author

Elizabeth Donoff

Elizabeth Donoff is Editor-at-Large of Architectural Lighting (AL). She served as Editor-in-Chief from 2006 to 2017. She joined the editorial team in 2003 and is a leading voice in the lighting community speaking at industry events such as Lightfair and the International Association of Lighting Designers Annual Enlighten Conference, and has twice served as a judge for the Illuminating Engineering Society New York City Section’s (IESNYC) Lumen Award program. In 2009, she received the Brilliance Award from the IESNYC for dedicated service and contribution to the New York City lighting community. Over the past 11 years, under her editorial direction, Architectural Lighting has received a number of prestigious B2B journalism awards. In 2017, Architectural Lighting was a Top Ten Finalist for Magazine of the Year from the American Society of Business Publication Editors' AZBEE Awards. In 2016, Donoff received the Jesse H. Neal Award for her Editor’s Comments in the category of Best Commentary/Blog, and in 2015, AL received a Jesse H. Neal Award for Best Media Brand (Overall Editorial Excellence).Prior to her entry into design journalism, Donoff worked in New York City architectural offices including FXFowle where she was part of the project teams for the Reuters Building at Three Times Square and the New York Times Headquarters. She is a graduate of Bates College in Lewiston, Me., and she earned her Master of Architecture degree from the School of Architecture at Washington University in St. Louis.

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