Located in the Dallas Arts District, the Dee and Charles Wyly Theatre is one of two performance venues at the AT&T Performing Arts Center. In its design, the architects—REX/OMA—rethink the traditional programmatic arrangements of a performing arts space, vertically stacking the back-of-house on top of the performance hall to create a footprint that resembles an extruded cube. This enabled them to exploit the structure of the building—steel and concrete X braces—and establish an industrial aesthetic that would set the stage for a playful integration of light.

Theatergoers enter the building below grade via a sloped hardscape terrace accented with planting areas and embedded linear fixtures. These horizontal lines of light turn vertically upon arrival into the lobby, in the form of a grid of linear fluorescent tubes that extend from the ceiling. A unique play on the idea of a chandelier, the tubes also reinforce the verticality of the building and of the façade, which is sheathed in thin aluminum tubes.

In the theater, which seats 600 people, the arrangement of the stage and seating is such that the audience becomes part of the experience. Fluorescent lamps complement the theatrical lighting, halogen sources are used for performance lighting, and custom LED handrail fixtures serve as reading lighting.

Elsewhere in the building, as in the costume shop, the practical yet playful attitude toward light continues. Circline fluorescents provide required light levels but are arranged whimsically, expanding the experience of performance to all areas of the building.

Jury Comments: The lighting design transforms everyday sources into something sculptural and unexpected. • The lighting in the costume shop, with its ceiling of circular fluorescent lamps, is particularly wonderful.

About the Author

Elizabeth Donoff

Elizabeth Donoff is Editor-at-Large of Architectural Lighting (AL). She served as Editor-in-Chief from 2006 to 2017. She joined the editorial team in 2003 and is a leading voice in the lighting community speaking at industry events such as Lightfair and the International Association of Lighting Designers Annual Enlighten Conference, and has twice served as a judge for the Illuminating Engineering Society New York City Section’s (IESNYC) Lumen Award program. In 2009, she received the Brilliance Award from the IESNYC for dedicated service and contribution to the New York City lighting community. Over the past 11 years, under her editorial direction, Architectural Lighting has received a number of prestigious B2B journalism awards. In 2017, Architectural Lighting was a Top Ten Finalist for Magazine of the Year from the American Society of Business Publication Editors' AZBEE Awards. In 2016, Donoff received the Jesse H. Neal Award for her Editor’s Comments in the category of Best Commentary/Blog, and in 2015, AL received a Jesse H. Neal Award for Best Media Brand (Overall Editorial Excellence).Prior to her entry into design journalism, Donoff worked in New York City architectural offices including FXFowle where she was part of the project teams for the Reuters Building at Three Times Square and the New York Times Headquarters. She is a graduate of Bates College in Lewiston, Me., and she earned her Master of Architecture degree from the School of Architecture at Washington University in St. Louis.

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