One-on-One with Carlo Guglielmi

Forging creativity, design, and innovation into one.

2 MIN READ

With a background in economics and finance, Carlo Guglielmi once might have seemed an unlikely successor to architect and designer Gio Ponti as president and CEO of FontanaArte. Since assuming the post in 1979, however, Guglielmi has grown FontanaArte from boutique to bold leader among international lighting manufacturers, without betraying Ponti’s design legacy. His careful stewardship of the company Ponti founded in 1932 and his advocacy of intellectual property have led to prominent roles as a founding member of Altagamma, the trade association of Italian luxury companies, and president of Indicam, an Italian institute that fights counterfeiting. In October 2008, Guglielmi added yet another item to his impressive rĂ©sumé—president of Cosmit, the company responsible for organizing the Salone Internazionale del Mobile, aka the Milan Furniture Fair.

What intrigues you about lighting? The change in light from day to night and the role of shadows. Their ability to be complementary and integrate into a space is unlike any other aspect of lighting.

Do you consider FontanaArte a lighting company or a design company? To just design for the sake of design is not enough. It’s about coupling innovation with research and elegance. It’s about creating products that are intelligent.

How does FontanaArte maintain its traditions while continuing to grow? We are always searching for innovation, whether that be new light sources or materials. We are always interested in involving well-known designers, but we are also committed to working with emerging talent—if they are passionate and ready to search for details. Then the result will be a product that is beyond fashion.

How can the lighting industry tackle the global financial crisis? We need the courage to be ourselves—to create our market. The culture of “making” leads to a culture of “creating.” Without this, there is no foundation for cultivating any kind of a market.

Is there an issue the lighting industry needs to address more directly? Protecting intellectual property. Counterfeiting represents 9 percent of all gross products worldwide. Theft of intelligence impacts everyone, and not only jeopardizes our economic system but our cultural legacy as well.

What message do you want to convey at this year’s Salone and Euroluce? To rediscover optimism and a passion for work. You have to ask yourself each day: Have I done something positive and creative?

About the Author

Elizabeth Donoff

Elizabeth Donoff is Editor-at-Large of Architectural Lighting (AL). She served as Editor-in-Chief from 2006 to 2017. She joined the editorial team in 2003 and is a leading voice in the lighting community speaking at industry events such as Lightfair and the International Association of Lighting Designers Annual Enlighten Conference, and has twice served as a judge for the Illuminating Engineering Society New York City Section’s (IESNYC) Lumen Award program. In 2009, she received the Brilliance Award from the IESNYC for dedicated service and contribution to the New York City lighting community. Over the past 11 years, under her editorial direction, Architectural Lighting has received a number of prestigious B2B journalism awards. In 2017, Architectural Lighting was a Top Ten Finalist for Magazine of the Year from the American Society of Business Publication Editors' AZBEE Awards. In 2016, Donoff received the Jesse H. Neal Award for her Editor’s Comments in the category of Best Commentary/Blog, and in 2015, AL received a Jesse H. Neal Award for Best Media Brand (Overall Editorial Excellence).Prior to her entry into design journalism, Donoff worked in New York City architectural offices including FXFowle where she was part of the project teams for the Reuters Building at Three Times Square and the New York Times Headquarters. She is a graduate of Bates College in Lewiston, Me., and she earned her Master of Architecture degree from the School of Architecture at Washington University in St. Louis.

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